Relation To The Other Rougon-Macquart Novels
Zola's plan for the Rougon-Macquart novels was to show how heredity and environment worked on members of one family over the course of the Second French Empire. In this case, the environment is the department store.
Octave Mouret is first introduced briefly in La fortune des Rougon. He plays a larger but background role in La conquête de Plassans, which focuses on his parents, the first cousins Marthe Rougon and François Mouret. As an innovator and a risk-taker, Octave combines his mother's imagination with his father's business sense, making the department store the perfect milieu for his natural gifts.
He also inherits from his great-grandmother (Adelaïde Fouque or Tante Dide) a touch of what today might be called obsessive-compulsive disorder, manifested in his intense commercial drive and his obsession with dominating female consumers.
Octave's brother is the priest Serge (La faute de l'Abbé Mouret), who served as a guardian to their mentally challenged sister Desirée.
In Le docteur Pascal, the final novel in the series set in 1872-1873, we learn that Octave and Denise are married and have two children. Octave also appears briefly or is mentioned in La joie de vivre and L'œuvre.
Read more about this topic: Au Bonheur Des Dames
Famous quotes containing the words relation to the, relation to, relation and/or novels:
“Much poetry seems to be aware of its situation in time and of its relation to the metronome, the clock, and the calendar. ... The season or month is there to be felt; the day is there to be seized. Poems beginning When are much more numerous than those beginning Where of If. As the meter is running, the recurrent message tapped out by the passing of measured time is mortality.”
—William Harmon (b. 1938)
“There is the falsely mystical view of art that assumes a kind of supernatural inspiration, a possession by universal forces unrelated to questions of power and privilege or the artists relation to bread and blood. In this view, the channel of art can only become clogged and misdirected by the artists concern with merely temporary and local disturbances. The song is higher than the struggle.”
—Adrienne Rich (b. 1929)
“The problem of the twentieth century is the problem of the color-linethe relation of the darker to the lighter races of men in Asia and Africa, in America and the islands of the sea. It was a phase of this problem that caused the Civil War.”
—W.E.B. (William Edward Burghardt)
“The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists discoveries, however old they may be, will never cease to astonish.”
—Milan Kundera (b. 1929)