Relation To The Other Rougon-Macquart Novels
Zola's plan for the Rougon-Macquart novels was to show how heredity and environment worked on members of one family over the course of the Second French Empire. In this case, the environment is the department store.
Octave Mouret is first introduced briefly in La fortune des Rougon. He plays a larger but background role in La conquête de Plassans, which focuses on his parents, the first cousins Marthe Rougon and François Mouret. As an innovator and a risk-taker, Octave combines his mother's imagination with his father's business sense, making the department store the perfect milieu for his natural gifts.
He also inherits from his great-grandmother (Adelaïde Fouque or Tante Dide) a touch of what today might be called obsessive-compulsive disorder, manifested in his intense commercial drive and his obsession with dominating female consumers.
Octave's brother is the priest Serge (La faute de l'Abbé Mouret), who served as a guardian to their mentally challenged sister Desirée.
In Le docteur Pascal, the final novel in the series set in 1872-1873, we learn that Octave and Denise are married and have two children. Octave also appears briefly or is mentioned in La joie de vivre and L'œuvre.
Read more about this topic: Au Bonheur Des Dames
Famous quotes containing the words relation to, relation and/or novels:
“You see, I am alive, I am alive
I stand in good relation to the earth
I stand in good relation to the gods
I stand in good relation to all that is beautiful
I stand in good relation to the daughter of Tsen-tainte
You see, I am alive, I am alive”
—N. Scott Momaday (b. 1934)
“The psychoanalysis of individual human beings, however, teaches us with quite special insistence that the god of each of them is formed in the likeness of his father, that his personal relation to God depends on his relation to his father in the flesh and oscillates and changes along with that relation, and that at bottom God is nothing other than an exalted father.”
—Sigmund Freud (1856–1939)
“Write about winter in the summer. Describe Norway as Ibsen did, from a desk in Italy; describe Dublin as James Joyce did, from a desk in Paris. Willa Cather wrote her prairie novels in New York City; Mark Twain wrote Huckleberry Finn in Hartford, Connecticut. Recently, scholars learned that Walt Whitman rarely left his room.”
—Annie Dillard (b. 1945)