Cover Art
The original album cover, designed by art collective Hipgnosis, shows a cow standing in a pasture with no text nor any other clue as to what might be on the record. Some later editions have the title and artist name added to the cover. This concept was the group's reaction to the psychedelic space rock imagery associated with Pink Floyd at the time of the album's release; the band wanted to explore all sorts of music without being limited to a particular image or style of performance. They thus requested that their new album had "something plain" on the cover, which ended up being the image of a cow. Storm Thorgerson, inspired by Andy Warhol's famous "cow-wallpaper," has said that he simply drove out into a rural area near Potters Bar and photographed the first cow he saw. The cow's owner identified her name as "Lulubelle III". More cows appear on the back cover, again with no text or titles, and on the inside gatefold. Also, a pink balloon shaped like a cow udder accompanied the album as part of Capitol's marketing strategy campaign to "break" the band in the US. The liner notes in later CD editions give a recipe for Traditional Bedouin Wedding Feast on a card labelled "Breakfast Tips". Looking back on the artwork, Thorgerson remembered "I think the cow represents, in terms of the Pink Floyd, part of their humor, which I think is often underestimated or just unwritten about."
In the mid 1970s, a bootleg containing rare singles and B-sides entitled The Dark Side of the Moo appeared, with a similar cover. Like Atom Heart Mother, the cover had no writing on it, although in this case it was to protect the bootlegger's anonymity rather than any artistic statement. The album cover to The KLF's concept album, Chill Out was also inspired by Atom Heart Mother.
Read more about this topic: Atom Heart Mother
Famous quotes containing the words cover and/or art:
“There is nothing more poetic and terrible than the skyscrapers battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rains tresses and shine their three thousand swords through the soft swan of the fog.”
—Federico García Lorca (18981936)
“... [photographs] trade simultaneously on the prestige of art and the magic of the real.”
—Susan Sontag (b. 1933)