Assisi Embroidery - Description of The Technique

Description of The Technique

Assisi work uses a method known as voiding in which the background is filled in while the motif itself is left blank. Cross-stitch is used for the background and Blackwork Embroidery, i.e. Holbein stitch is then used to outline the motif and create the surrounding decorative scrollwork.

Traditionally, Assisi embroidery was rarely executed in cross-stitch, but most often in long-armed cross-stitch. Examples employing other stitches are also known, such as cross-stitch, Italian cross-stitch and Algerian plait stitch. The colours of thread used were the traditional ones of red, blue, green or gold for the background, and black or brown for the outlines. Traditional motifs were largely heraldic, especially heraldic beasts, and typically featured symmetrically arranged pairs of animals and birds surrounded by ornate filigree borders.

In the oldest pieces, the figures were drawn on the fabric free-hand, surrounded with Holbein stitch and the background was filled as well as possible. For more modern pieces the pattern was constructed carefully on paper, in much the same way as cross-stitch patterns are created. Today Assisi embroidery is nearly always done this way.

Read more about this topic:  Assisi Embroidery

Famous quotes containing the words description of the, description of, description and/or technique:

    “God damnit, why must all those journalists be such sticklers for detail? Why, they’d hold you to an accurate description of the first time you ever made love, expecting you to remember the color of the room and the shape of the windows.”
    —Lyndon Baines Johnson (1908–1973)

    “The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St Paul’s, like the editions of Balbec and Palmyra.”
    —Horace Walpole (1717–1797)

    “I was here first introduced to Joe.... He was a good-looking Indian, twenty-four years old, apparently of unmixed blood, short and stout, with a broad face and reddish complexion, and eyes, methinks, narrower and more turned up at the outer corners than ours, answering to the description of his race. Besides his underclothing, he wore a red flannel shirt, woolen pants, and a black Kossuth hat, the ordinary dress of the lumberman, and, to a considerable extent, of the Penobscot Indian.”
    —Henry David Thoreau (1817–1862)

    “The audience is the most revered member of the theater. Without an audience there is no theater. Every technique learned by the actor, every curtain, every flat on the stage, every careful analysis by the director, every coordinated scene, is for the enjoyment of the audience. They are our guests, our evaluators, and the last spoke in the wheel which can then begin to roll. They make the performance meaningful.”
    —Viola Spolin (b. 1911)