Theories
A Proto-Indo-European basis has been theorized for the duo based on the etymology of embla meaning "vine." In Indo-European societies, an analogy is derived from the drilling of fire and sexual intercourse. Vines were used as a flammable wood, where they were placed beneath a drill made of harder wood, resulting in fire. Further evidence of ritual making of fire in Scandinavia has been theorized from a depiction on a stone plate on a Bronze Age grave in Kivik, Scania, Sweden.
A preceding stanza to the account of the creation of Ask and Embla in Völuspá provides a catalog of dwarfs, and stanza 10 has been considered as describing the creation of human forms from the earth. This may potentially mean that dwarfs formed humans, and that the three gods gave them life. Carolyne Larrington theorizes that humans are metaphorically designated as trees in Old Norse works (examples include "trees of jewellery" for women and "trees of battle" for men) due to the origin of humankind stemming from trees; Ask and Embla.
Two wooden figures of "more than human height" were unearthed from a peat bog at Braak in Schleswig, Germany. The figures depict a nude male and a nude female. Hilda Ellis Davidson comments that these figures may represent a "Lord and Lady" of the Vanir, a group of Norse gods, and that "another memory of may survive in the tradition of the creation of Ask and Embla, the man and woman who founded the human race, created by the gods from trees on the seashore".
A figure named Æsc (Old English "ash tree") appears as the son of Hengest in the Anglo-Saxon genealogy for the kings of Kent. This has resulted in an amount of theories that the figures may have had an earlier basis in pre-Norse Germanic mythology.
Connections have been proposed between Ask and Embla and the Vandal kings Assi and Ambri, attested in Paul the Deacon's 7th century AD work Origo Gentis Langobardorum. There, the two ask the god Godan (Odin) for victory. The name Ambri, like Embla, likely derives from *Ambilō.
In his study of the comparative evidence for an origin of mankind from trees in Indo-European society, Anders Hultgård observes that "myths of the origin of mankind from trees or wood seem to be particularly connected with ancient Europe and Indo-Europe and Indo-European-speaking peoples of Asia Minor and Iran. By contrast the cultures of the Near East show almost exclusively the type of anthropogonic stories that derive man's origin from clay, earth or blood by means of a divine creation act".
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