Schnabel As Composer
Despite his performing repertoire being concentrated largely on the works of Beethoven, Schubert, Mozart and Brahms, almost all of his own compositions (none of which are in the active repertoire) are atonal. (It is interesting, in this regard, to note that Schnabel was a close friend of Arnold Schoenberg, his Austrian-American compatriot, who was famous as a pioneering composer of atonal and twelve-tone music.)
They are "difficult" yet fascinating and complex works, and are marked by genuine originality of style. Composers Ernst Krenek and Roger Sessions have commented that they show signs of undoubted genius (see biography of Schnabel by Cesar Saerchinger). Schnabel's list of compositions eventually included three symphonies, a piano concerto, a piano sonata (premiered by Eduard Erdmann at the 1925 Venice ISCM Festival) and five string quartets, amongst various smaller works.
In recent years, a number of his compositions (notably championed by the violinist, Paul Zukofsky) have been recorded and made available on CD, including three of his string quartets, the three symphonies, a rhapsody for orchestra, and four solo piano works: his Sonata, Dance Suite, Piece in Seven Movements (1935–37) and Seven Pieces (1947).
Read more about this topic: Artur Schnabel
Famous quotes containing the word composer:
“Whenever [Leonard Bernstein] entered or exited a country he would fill in on his passport form not composer or conductor, but musician. Of course people in the press spent a lot of Lenny’s life telling him what he should have done; he should have been a concert pianist, he should have composed more.... And people wouldn’t let him live his own life. But he created his own career, in his own image.”
—John Mauceri (b. 1945)