Artistic Revolution and Cultural/political Revolutions
The role of fine art has been to simultaneously express values of the current culture while also offering criticism, balance, or alternatives to any such values that are proving no longer useful. So as times change, art changes. If changes were abrupt they were deemed revolutions. The best artists have predated society's changes due not to any prescIence, but because sensitive perceptivity is part of their 'talent' of seeing.
Artists have had to 'see' issues clearly in order to satisfy their current clients, yet not offend potential patrons. For example, paintings glorified aristocracy in the early 17th century when leadership was needed to nationalize small political groupings, but later as leadership became oppressive, satirization increased and subjects were less concerned with leaders and more with more common plights of mankind.
In its origins and its first golden age, no art owes quite as much to state power as French painting does. It was in the age of absolute monarchy launched by Louix XIV in the 17th century that the likes of Poussin and Le Brun put France in the forefront of European art. Versailles found its stately mirror in the powerful idea of classicism – a painting style, enduring in later artists like Ingres, whose austerity and grandeur express the authority of a world where Jove is very much in his throne.
Examples of revoutionary art in conjunction with cultural/political movements:
- Trotskyist & Diego Rivera
- Black Panther Party & Emory Douglas
- Cuban Poster art
- Social realism & Ben Shahn
- Feminist art & the Guerrilla Girls
- Industrial Workers of the World & Woody Guthrie
- Revolutionary Tides
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Famous quotes containing the words artistic, revolution, cultural, political and/or revolutions:
“Few artists can afford artistic temperament.”
—Mason Cooley (b. 1927)
“It is said that when manners are licentious, a revolution is always near: the virtue of woman being the main girth and bandage of society; because a man will not lay up an estate for children any longer than whilst he believes them to be his own.”
—Ralph Waldo Emerson (1803–1882)
“Quite apart from any conscious program, the great cultural historians have always been historical morphologists: seekers after the forms of life, thought, custom, knowledge, art.”
—Johan Huizinga (1872–1945)
“Religion means goal and way, politics implies end and means. The political end is recognizable by the fact that it may be attained—in success—and its attainment is historically recorded. The religious goal remains, even in man’s highest experiences, that which simply provides direction on the mortal way; it never enters into historical consummation.”
—Martin Buber (1878–1965)
“If we study nature attentively, alike in its great revolutions and in its minutest works, it is impossible not to admit enchantment—giving the word its fullest meaning. Man can create no force; he can but use the only existing force, which includes all others, namely, Motion—the incomprehensible Breath of the sovereign maker of the universe.”
—Honoré De Balzac (1799–1850)