Artistic Revolution and Cultural/political Revolutions
The role of fine art has been to simultaneously express values of the current culture while also offering criticism, balance, or alternatives to any such values that are proving no longer useful. So as times change, art changes. If changes were abrupt they were deemed revolutions. The best artists have predated society's changes due not to any prescIence, but because sensitive perceptivity is part of their 'talent' of seeing.
Artists have had to 'see' issues clearly in order to satisfy their current clients, yet not offend potential patrons. For example, paintings glorified aristocracy in the early 17th century when leadership was needed to nationalize small political groupings, but later as leadership became oppressive, satirization increased and subjects were less concerned with leaders and more with more common plights of mankind.
In its origins and its first golden age, no art owes quite as much to state power as French painting does. It was in the age of absolute monarchy launched by Louix XIV in the 17th century that the likes of Poussin and Le Brun put France in the forefront of European art. Versailles found its stately mirror in the powerful idea of classicism – a painting style, enduring in later artists like Ingres, whose austerity and grandeur express the authority of a world where Jove is very much in his throne.
Examples of revoutionary art in conjunction with cultural/political movements:
- Trotskyist & Diego Rivera
- Black Panther Party & Emory Douglas
- Cuban Poster art
- Social realism & Ben Shahn
- Feminist art & the Guerrilla Girls
- Industrial Workers of the World & Woody Guthrie
- Revolutionary Tides
Read more about this topic: Artistic Revolution
Famous quotes containing the words artistic, revolution, cultural, political and/or revolutions:
“If a man is a good lawyer, a good physician, a good engineer ... he may be a fool in every other capacity. But no deficiency or mistake of judgment is forgiven to a woman ... and should she fail anywhere, if she has any scientific attainment, or artistic faculty, instead of standing her interest as an excuse, it is censured as an aggravation and offence.”
—E.P.P., U.S. women’s magazine contributor. The Una, p. 28 ( February 1855)
“I want the necessity of supplying my own wants. All this costly culture of yours is not necessary. Greatness does not need it. Yonder peasant, who sits neglected, carries a whole revolution of man and nature in his head, which shall be a sacred history to some future ages.”
—Ralph Waldo Emerson (1803–1882)
“At times it seems that the media have become the mainstream culture in children’s lives. Parents have become the alternative. Americans once expected parents to raise their children in accordance with the dominant cultural messages. Today they are expected to raise their children in opposition to it.”
—Ellen Goodman (20th century)
“... feminism is a political term and it must be recognized as such: it is political in women’s terms. What are these terms? Essentially it means making connections: between personal power and economic power, between domestic oppression and labor exploitation, between plants and chemicals, feelings and theories; it means making connections between our inside worlds and the outside world.”
—Anica Vesel Mander, U.S. author and feminist, and Anne Kent Rush (b. 1945)
“The partridge and the rabbit are still sure to thrive, like true natives of the soil, whatever revolutions occur. If the forest is cut off, the sprouts and bushes which spring up afford them concealment, and they become more numerous than ever. That must be a poor country indeed that does not support a hare. Our woods teem with them both.”
—Henry David Thoreau (1817–1862)