Artistic Revolution and Cultural/political Revolutions
The role of fine art has been to simultaneously express values of the current culture while also offering criticism, balance, or alternatives to any such values that are proving no longer useful. So as times change, art changes. If changes were abrupt they were deemed revolutions. The best artists have predated society's changes due not to any prescIence, but because sensitive perceptivity is part of their 'talent' of seeing.
Artists have had to 'see' issues clearly in order to satisfy their current clients, yet not offend potential patrons. For example, paintings glorified aristocracy in the early 17th century when leadership was needed to nationalize small political groupings, but later as leadership became oppressive, satirization increased and subjects were less concerned with leaders and more with more common plights of mankind.
In its origins and its first golden age, no art owes quite as much to state power as French painting does. It was in the age of absolute monarchy launched by Louix XIV in the 17th century that the likes of Poussin and Le Brun put France in the forefront of European art. Versailles found its stately mirror in the powerful idea of classicism – a painting style, enduring in later artists like Ingres, whose austerity and grandeur express the authority of a world where Jove is very much in his throne.
Examples of revoutionary art in conjunction with cultural/political movements:
- Trotskyist & Diego Rivera
- Black Panther Party & Emory Douglas
- Cuban Poster art
- Social realism & Ben Shahn
- Feminist art & the Guerrilla Girls
- Industrial Workers of the World & Woody Guthrie
- Revolutionary Tides
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Famous quotes containing the words artistic, revolution, cultural, political and/or revolutions:
“Realism should only be the means of expression of religious genius ... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.”
—Albert Camus (1913–1960)
“People who talk about revolution and class struggle without referring explicitly to everyday life, without understanding what is subversive about love and what is positive in the refusal of constraints, such people have a corpse in their mouth.”
—Raoul Vaneigem (b. 1934)
“By Modernism I mean the positive rejection of the past and the blind belief in the process of change, in novelty for its own sake, in the idea that progress through time equates with cultural progress; in the cult of individuality, originality and self-expression.”
—Dan Cruickshank (b. 1949)
“It has now become the doctrine of a large clan of politicians that political honesty is unnecessary, slow, subversive of a man’s interests, and incompatible with quick onward movement.”
—Anthony Trollope (1815–1882)
“The partridge and the rabbit are still sure to thrive, like true natives of the soil, whatever revolutions occur. If the forest is cut off, the sprouts and bushes which spring up afford them concealment, and they become more numerous than ever. That must be a poor country indeed that does not support a hare. Our woods teem with them both.”
—Henry David Thoreau (1817–1862)