Artistic Revolution and Cultural/political Revolutions
The role of fine art has been to simultaneously express values of the current culture while also offering criticism, balance, or alternatives to any such values that are proving no longer useful. So as times change, art changes. If changes were abrupt they were deemed revolutions. The best artists have predated society's changes due not to any prescIence, but because sensitive perceptivity is part of their 'talent' of seeing.
Artists have had to 'see' issues clearly in order to satisfy their current clients, yet not offend potential patrons. For example, paintings glorified aristocracy in the early 17th century when leadership was needed to nationalize small political groupings, but later as leadership became oppressive, satirization increased and subjects were less concerned with leaders and more with more common plights of mankind.
In its origins and its first golden age, no art owes quite as much to state power as French painting does. It was in the age of absolute monarchy launched by Louix XIV in the 17th century that the likes of Poussin and Le Brun put France in the forefront of European art. Versailles found its stately mirror in the powerful idea of classicism – a painting style, enduring in later artists like Ingres, whose austerity and grandeur express the authority of a world where Jove is very much in his throne.
Examples of revoutionary art in conjunction with cultural/political movements:
- Trotskyist & Diego Rivera
- Black Panther Party & Emory Douglas
- Cuban Poster art
- Social realism & Ben Shahn
- Feminist art & the Guerrilla Girls
- Industrial Workers of the World & Woody Guthrie
- Revolutionary Tides
Read more about this topic: Artistic Revolution
Famous quotes containing the words artistic, revolution, cultural, political and/or revolutions:
“The true, prescriptive artist strives after artistic truth; the lawless artist, who follows blind instinct, strives to duplicate the reality of nature. The first one elevates art to its highest peak; the second one lowers it to its basest level.”
—Johann Wolfgang Von Goethe (1749–1832)
“I have seen in this revolution a circular motion of the sovereign power through two usurpers, father and son, to the late King to this his son. For ... it moved from King Charles I to the Long Parliament; from thence to the Rump; from the Rump to Oliver Cromwell; and then back again from Richard Cromwell to the Rump; then to the Long Parliament; and thence to King Charles, where long may it remain.”
—Thomas Hobbes (1579–1688)
“Unfortunately there is still a cultural stereotype that it’s all right for girls to be affectionate but that once boys reach six or seven, they no longer need so much hugging and kissing. What this does is dissuade boys from expressing their natural feelings of tenderness and affection. It is important that we act affectionately with our sons as well as our daughters.”
—Stephanie Martson (20th century)
“The science, the art, the jurisprudence, the chief political and social theories, of the modern world have grown out of Greece and Rome—not by favor of, but in the teeth of, the fundamental teachings of early Christianity, to which science, art, and any serious occupation with the things of this world were alike despicable.”
—Thomas Henry Huxley (1825–95)
“All successful revolutions are the kicking in of a rotten door. The violence of revolutions is the violence of men who charge into a vacuum.”
—John Kenneth Galbraith (b. 1908)