Artistic Revolution and Cultural/political Revolutions
The role of fine art has been to simultaneously express values of the current culture while also offering criticism, balance, or alternatives to any such values that are proving no longer useful. So as times change, art changes. If changes were abrupt they were deemed revolutions. The best artists have predated society's changes due not to any prescIence, but because sensitive perceptivity is part of their 'talent' of seeing.
Artists have had to 'see' issues clearly in order to satisfy their current clients, yet not offend potential patrons. For example, paintings glorified aristocracy in the early 17th century when leadership was needed to nationalize small political groupings, but later as leadership became oppressive, satirization increased and subjects were less concerned with leaders and more with more common plights of mankind.
In its origins and its first golden age, no art owes quite as much to state power as French painting does. It was in the age of absolute monarchy launched by Louix XIV in the 17th century that the likes of Poussin and Le Brun put France in the forefront of European art. Versailles found its stately mirror in the powerful idea of classicism – a painting style, enduring in later artists like Ingres, whose austerity and grandeur express the authority of a world where Jove is very much in his throne.
Examples of revoutionary art in conjunction with cultural/political movements:
- Trotskyist & Diego Rivera
- Black Panther Party & Emory Douglas
- Cuban Poster art
- Social realism & Ben Shahn
- Feminist art & the Guerrilla Girls
- Industrial Workers of the World & Woody Guthrie
- Revolutionary Tides
Read more about this topic: Artistic Revolution
Famous quotes containing the words artistic, revolution, cultural, political and/or revolutions:
“Realism should only be the means of expression of religious genius ... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.”
—Albert Camus (1913–1960)
“I see every day more clearly the value, necessity, and sanative qualities of the three B’s: Bench, Ballot, Barricade.”
—Aurora C. Phelps, U.S. women’s magazine contributor. The Revolution (May 21, 1868)
“Unfortunately there is still a cultural stereotype that it’s all right for girls to be affectionate but that once boys reach six or seven, they no longer need so much hugging and kissing. What this does is dissuade boys from expressing their natural feelings of tenderness and affection. It is important that we act affectionately with our sons as well as our daughters.”
—Stephanie Martson (20th century)
“The best political economy is the care and culture of men; for, in these crises, all are ruined except such as are proper individuals, capable of thought, and of new choice and the application of their talent to new labor.”
—Ralph Waldo Emerson (1803–1882)
“Methinks a Man cannot, without a secret Satisfaction, consider the Glory of the present Age, which will shine as bright as any other in the History of Mankind. It is still big with great Events, and has already produced Changes and Revolutions which will be as much admired by Posterity, as any that have happened in the Days of our Fathers, or in the old Times before them.”
—Richard Steele (1672–1729)