Films, TV and Fiction
Shaw made several musical shorts in 1939 for Vitaphone and Paramount Pictures. He portrayed himself in the Fred Astaire film, Second Chorus (1940), which featured Shaw and his orchestra playing "Concerto for Clarinet." The film brought him two Oscar nominations, one for Best Score and one for Best Song ("Love of My Life"). He collaborated on the love song "If It's You" sung by Tony Martin in the Marx Brothers' film, The Big Store (1941). In 1950 he was a mystery guest on What's My Line?, and during the 1970s he made appearances on The Mike Douglas Show and The Tonight Show.
Many of his recordings have been used in motion pictures. His recording of "Stardust" was used in its entirety in the closing credits of the film The Man Who Fell to Earth. Martin Scorsese also used the Shaw theme song, "Nightmare", in his Academy Award-winning Howard Hughes biopic, The Aviator.
He credited his time in the Navy as a period of renewed introspection. He entered psychoanalysis and began to pursue a writing career. His autobiography, The Trouble With Cinderella: An Outline of Identity, was published in 1952 (with later reprint editions in 1992 and 2001). Revealing downbeat elements of the music business, Shaw explained that "the trouble with Cinderella" is "nobody ever lives happily ever after." He turned to semi-autobiographical fiction with the three short novels in I Love You, I Hate You, Drop Dead! (1965, reprinted in 1997), which prompted Terry Southern's comment: "Here is a deeply probing examination of the American marital scene. I flipped over it!" Shaw's short stories, including "Snow White in Harlem," were collected in The Best of Intentions and Other Stories (1989). He worked for years on his 1000-page autobiographical novel, The Education of Albie Snow, but the three-volume work remains unpublished. Currently, through Curtis International Associates, the Artie Shaw Orchestra is still active.
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Famous quotes containing the word fiction:
“For if the proper study of mankind is man, it is evidently more sensible to occupy yourself with the coherent, substantial and significant creatures of fiction than with the irrational and shadowy figures of real life.”
—W. Somerset Maugham (18741965)