Arthur Sullivan - Reputation and Criticism

Reputation and Criticism

Cartoon from Punch in 1880. It was premature in declaring Sullivan's knighthood, but was accompanied by a parody version of "When I, good friends" from Trial by Jury that summarised Sullivan's career to that date:
"A HUMOROUS KNIGHT."
As a boy I had such a musical bump,
And its size so struck Mr. H,
That he said, "Though you sing those songs like a trump,
You shall write some yourself that will sell more."
So I packed off to Leipsic, without looking back,
And returned in such classical fury,
That I sat down with H and H and B,—
And turned out "Trial by Jury."
But W.S.G. he jumped for joy
As he said, "Though the job dismay you,
Send Exeter Hall to the deuce, my boy;
It's the haul with me that'll pay you."
And we hauled so well, mid jeers and taunts,
That we've settled, spite all temptations,
To stick to our Sisters and our Cousins and our Aunts,—
And continue our pleasant relations.
Yet I know a big Duke, and I've written for Leeds,
And I think (I don't wish to be snarly),
If honour's poured out on a chap for his deeds,
I'm as good-—come, as M or C!
So the next "first night" and the Opéra C.,
Let's hope, if you're able to find him,
You'll cry from the pit, "There's W. S. G.
In the stalls,—with a K behind him!'"

Read more about this topic:  Arthur Sullivan

Famous quotes containing the words reputation and, reputation and/or criticism:

    Our culture, therefore, must not omit the arming of the man. Let him hear in season, that he is born into the state of war, and that the commonwealth and his own well-being require that he should not go dancing in the weeds of peace, but warned, self- collected, and neither defying nor dreading the thunder, let him take both reputation and life in his hand, and, with perfect urbanity, dare the gibbet and the mob by the absolute truth of his speech, and the rectitude of his behaviour.
    Ralph Waldo Emerson (1803–1882)

    It is said that a rogue does not look you in the face, neither does an honest man look at you as if he had his reputation to establish.
    Henry David Thoreau (1817–1862)

    The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
    Walter Benjamin (1892–1940)