Early Career
Lowe made his debut at the Manchester Repertory Theatre in 1945, where he was paid £5 per week for twice-nightly performances. He worked with various repertory companies around the country and became known for his character roles, which included parts in the West End musicals Call Me Madam, Pal Joey and The Pajama Game. An early brief film role is as a reporter for the Tit-Bits magazine near the end of Kind Hearts and Coronets (1949).
Lowe married Joan Cooper (1922–1989) on 10 January 1948. They had met in 1945 when she was his leading lady at the Manchester Repertory Theatre, and they remained together until his death. Their son, Stephen Lowe, was born in January 1953.
By the 1960s, Lowe had successfully made the transition to television and landed a regular role as draper/lay preacher Leonard Swindley in the northern drama series Coronation Street (1960–65). His character became sufficiently popular with viewers for him to appear in spin-off series, Pardon the Expression (1966), and its sequel Turn out the Lights (1967).
Leonard Swindley was not a role Lowe relished though, and he longed to move on. During the months he was not playing Swindley he was busy on stage or making one-off guest appearances in other TV series such as Z-Cars (1962) and The Avengers (1967).
Read more about this topic: Arthur Lowe
Famous quotes containing the words early and/or career:
“In the early forties and fifties almost everybody had about enough to live on, and young ladies dressed well on a hundred dollars a year. The daughters of the richest man in Boston were dressed with scrupulous plainness, and the wife and mother owned one brocade, which did service for several years. Display was considered vulgar. Now, alas! only Queen Victoria dares to go shabby.”
—M. E. W. Sherwood (18261903)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)