Relationship With Progressive and Experimental Rock
The concept of art rock has also sometimes been used to refer to the progressive rock bands which became popular in the 1970s. Allmusic states that "Progressive rock and art rock are two almost interchangeable terms describing a mostly British attempt to elevate rock music to new levels of artistic credibility." Additionally, art rock and experimental rock shared much in common, especially with regards to their experimental themes, yet, the latter has been described by Allmusic as "more challenging, noisy and unconventional", and also less classically-influenced than the former, with more of an emphasis on avant-garde music.
Larry Starr and Christopher Waterman's American Popular Music defines it as a "Form of rock music that blended elements of rock and European classical music. It included bands such as King Crimson; Emerson, Lake & Palmer; and Pink Floyd." Bruce Eder's essay The Early History of Art-Rock/Prog Rock states that "'progressive rock,' also sometimes known as 'art rock,' or 'classical rock'" is music in which the "bands playing suites, not songs; borrowing riffs from Bach, Beethoven, and Wagner instead of Chuck Berry and Bo Diddley; and using language closer to William Blake or T. S. Eliot than to Carl Perkins or Willie Dixon."
The Guide to the Progressive Rock Genres lists "art rock" under the subheading "Forms Tangential and Peripheral to Symphonic Rock/Progressive Rock." The guide states that "art rock" is "another term often used interchangeably with progressive rock, implies rock with an exploratory tendency." The guide also gives another definition of "art rock", which "describes music of a more mainstream compositional nature, tending to experimentation within this framework", such as "Early" Roxy Music, David Bowie, Brian Eno's 70s rock music, and Be-Bop Deluxe.
Connolly and Company argue that the "creation of the 'art rock' sub-genre, whose members were identified by music played with artistic ideals (e.g., Roxy Music, 10cc)... was in many ways a response to prog rock’s long-winded concepts, an attempt to condense progressive rock’s ideas into shorter, self-standing songs." He argues that "Art rock’s lifespan was brief, generally contained to the ‘70s."
Art rock may be considered "arty" through incorporating some elements of classical "art" music or literature, or simply through eclecticism. Examples of the former include Pink Floyd, The Moody Blues, The Who, The Nice, Emerson, Lake & Palmer, David Bowie, The Velvet Underground, Lou Reed, Kate Bush, The Verve, The Beach Boys, The Beatles, Peter Gabriel, and Love (Forever Changes) and examples of the latter include Peter Hammill, Roxy Music, Genesis, early Queen, Doctors of Madness, Fugazi, King Crimson, Tool, Radiohead, Muse and Yes.
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Famous quotes containing the words relationship with, relationship, progressive, experimental and/or rock:
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“Whenever a man acts purposively, he acts under a belief in some experimental phenomenon. Consequently, the sum of the experimental phenomena that a proposition implies makes up its entire bearing upon human conduct.”
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“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)