Gallery
-
Jean-Honoré Fragonard, Portrait of Denis Diderot, 1769, Louvre, Paris. His art criticism was highly influential. His Essais sur la peinture was described by Johann Wolfgang von Goethe, as "a magnificent work, which speaks even more helpfully to the poet than to the painter, though to the painter too it is as a blazing torch." Diderot's favorite painter was Jean-Baptiste Greuze.
-
Charles Baudelaire 1855, Photo by Nadar. Baudelaire is associated with the Decadent movement. His book of poetry Les Fleurs du mal is acknowledged as a classic of French literature
-
Édouard Manet, Portrait of Zacharie Astruc 1866, Kunsthalle Bremen. He was a strong defender of Gustave Courbet, and was one of the first to recognize the talent of Édouard Manet. He also defended Claude Monet, James McNeill Whistler, Carolus-Duran, Fantin-Latour, and Alphonse Legros.
-
Édouard Manet, Portrait of Émile Zola, 1868, Musée d'Orsay. Émile Zola (1840-1902) was an influential French writer, and art critic. He was a major figure in the exoneration of the falsely accused and convicted army officer Alfred Dreyfus.
-
Paul Signac, Félix Fénéon, 1890. A French anarchist and art critic in Paris during the late 1800s. He coined the term "Neo-impressionism" in 1886.
-
Guillaume Apollinaire (1880-1918), 1914, French poet, writer and art critic he is credited with coining the word surrealism
-
Roger Fry Self-portrait, 1928. He was described by Kenneth Clark as "incomparably the greatest influence on taste since Ruskin... In so far as taste can be changed by one man, it was changed by Roger Fry".
-
Leo Stein (1872-1947), art collector/critic, elder brother of Gertrude Stein. Photo by Carl Van Vechten, November 9, 1937
Read more about this topic: Art Critic
Famous quotes containing the word gallery:
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“It doesnt matter that your painting is small. Kopecks are also small, but when a lot are put together they make a ruble. Each painting displayed in a gallery and each good book that makes it into a library, no matter how small they may be, serves a great cause: accretion of the national wealth.”
—Anton Pavlovich Chekhov (18601904)