Arnold Wesker - Works

Works

  • The Kitchen, 1957
  • Chicken Soup with Barley, 1958
  • Roots, 1958
  • I'm talking about Jerusalem, 1958
  • Menace, 1961 (For Television)
  • Chips with Everything, 1962
  • The Nottingham Captain, 1962
  • Four Seasons, 1965
  • Their Very Own and Golden City, 1966
  • The Friends, 1970
  • The Old Ones, 1970
  • The Journalist, 1972
  • The Wedding Feast, 1974
  • Shylock, 1976
  • Love Letters on Blue Paper, 1976
  • Phoenix, 1980
  • Caritas, 1980
  • Words on the Wind, 1980
  • One More Ride on the Merry-Go-Round, 1980
  • Breakfast, 1981
  • Sullied Hand, 1981
  • Four Portraits - Of Mothers, 1982
  • Annie Wobbler, 1982
  • Yardsale, 1983
  • Cinders, 1983
  • The Merchant, 1983
  • Whatever Happened to Betty Lemon?, 1986
  • When God Wanted a Son, 1986
  • Lady Othello, 1987
  • Little Old Lady & Shoeshine, 1987
  • Badenheim 1939, 1987
  • The Mistress, 1988
  • Beorhtel's Hill, 1988 (Community Play for Basildon)
  • Men Die Women Survive, 1990
  • Letter To A Daughter, 1990
  • Blood Libel, 1991
  • Wild Spring, 1992
  • Bluey, 1993
  • The Confession, 1993
  • Circles of Perception, 1996
  • Break, My Heart, 1997
  • Denial, 1997
  • Barabbas, 2000
  • The Kitchen Musical, 2000
  • Groupie, 2001
  • Longitude, 2002
  • Honey, 2005 (novel)
  • The Rocking Horse, 2007 (Commissioned by the BBC World Service)

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    Through the din and desultoriness of noon, even in the most Oriental city, is seen the fresh and primitive and savage nature, in which Scythians and Ethiopians and Indians dwell. What is echo, what are light and shade, day and night, ocean and stars, earthquake and eclipse, there? The works of man are everywhere swallowed up in the immensity of nature. The AEgean Sea is but Lake Huron still to the Indian.
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    I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?
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    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
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