Arnold Wesker - Works

Works

  • The Kitchen, 1957
  • Chicken Soup with Barley, 1958
  • Roots, 1958
  • I'm talking about Jerusalem, 1958
  • Menace, 1961 (For Television)
  • Chips with Everything, 1962
  • The Nottingham Captain, 1962
  • Four Seasons, 1965
  • Their Very Own and Golden City, 1966
  • The Friends, 1970
  • The Old Ones, 1970
  • The Journalist, 1972
  • The Wedding Feast, 1974
  • Shylock, 1976
  • Love Letters on Blue Paper, 1976
  • Phoenix, 1980
  • Caritas, 1980
  • Words on the Wind, 1980
  • One More Ride on the Merry-Go-Round, 1980
  • Breakfast, 1981
  • Sullied Hand, 1981
  • Four Portraits - Of Mothers, 1982
  • Annie Wobbler, 1982
  • Yardsale, 1983
  • Cinders, 1983
  • The Merchant, 1983
  • Whatever Happened to Betty Lemon?, 1986
  • When God Wanted a Son, 1986
  • Lady Othello, 1987
  • Little Old Lady & Shoeshine, 1987
  • Badenheim 1939, 1987
  • The Mistress, 1988
  • Beorhtel's Hill, 1988 (Community Play for Basildon)
  • Men Die Women Survive, 1990
  • Letter To A Daughter, 1990
  • Blood Libel, 1991
  • Wild Spring, 1992
  • Bluey, 1993
  • The Confession, 1993
  • Circles of Perception, 1996
  • Break, My Heart, 1997
  • Denial, 1997
  • Barabbas, 2000
  • The Kitchen Musical, 2000
  • Groupie, 2001
  • Longitude, 2002
  • Honey, 2005 (novel)
  • The Rocking Horse, 2007 (Commissioned by the BBC World Service)

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    I shall not bring an automobile with me. These inventions infest France almost as much as Bloomer cycling costumes, but they make a horrid racket, and are particularly objectionable. So are the Bloomers. Nothing more abominable has ever been invented. Perhaps the automobile tricycles may succeed better, but I abjure all these works of the devil.
    Henry Brooks Adams (1838–1918)

    The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.
    William James (1842–1910)

    Now they express
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    Yet works on uselessly with shortened breath.
    Philip Larkin (1922–1986)