Stamp and Coin Designs
In 1964 Machin was chosen to design a new effigy of the Queen for the decimal coinage, which was to be introduced from 1968. This effigy was used for all British coins until 1984. It continued to be used on coins of New Zealand and Australia until 1985 and 1986 respectively, and on coins of Canada until 1989.
In 1966 the Queen approved Machin's similar design for an effigy of her to be used on what come to be known as the "Machin series" of British definitive postage stamps. Machin produced a bas-relief in clay, which when combined with a different coloured background, is reminiscent of the overlaid decoration of potteries such as Wedgwood. The design was first used on the 4d value which was issued in June 1967, and has been used on all British definitive stamps (except more recent regional issues) ever since. It is thought that this design is the most reproduced work of art in history with, to date, approximately 320 billion copies produced. In 2007 the Machin-designed stamp was still in use at its 40th anniversary and to mark the occasion, the Post Office issued a commemorative stamp featuring a photograph of Arnold Machin. It was also available for sale in a miniature sheet which incorporated another stamp with a reproduction of a Machin series stamp as well as two actual £1 Machins in different colours.
Read more about this topic: Arnold Machin
Famous quotes containing the words stamp and, stamp, coin and/or designs:
“The morning breaks; the steeds in their stalls
Stamp and neigh, as the hostler calls;
The day returns, but nevermore
Returns the traveler to the shore,
And the tide rises, the tide falls.”
—Henry Wadsworth Longfellow (1809–1882)
“Only a still place
and perhaps some outer horror
some hideousness to stamp beauty,
a mark no changing it now
on our hearts.”
—Hilda Doolittle (1886–1961)
“The oft-repeated Roman story is written in still legible characters in every quarter of the Old World, and but today, perchance, a new coin is dug up whose inscription repeats and confirms their fame. Some “Judæa Capta,” with a woman mourning under a palm tree, with silent argument and demonstration confirms the pages of history.”
—Henry David Thoreau (1817–1862)
“His designs were strictly honourable, as the phrase is; that is, to rob a lady of her fortune by way of marriage.”
—Henry Fielding (1707–1754)