Arna Bontemps - Works

Works

(Unless noted otherwise, Bontemps is the main author of the work)

  • God Sends Sunday: A Novel (New York, Harcourt, Brace and Co., 1931; New York: Washington Square Press, 2005)
  • Popo and Fifina, Children of Haiti, by Arna Bontemps and Langston Hughes (New York: Macmillan, 1932; Oxford University Press, 2000)
  • You Can’t Pet a Possum (New York: William Morrow, 1934)
  • Black Thunder: Gabriel's Revolt: Virginia 1800 (New York: Macmillan, 1936; reprinted with intro. Arnold Rampersad, Boston: Beacon Press, 1992)
  • Sad-Faced Boy (Boston: Houghton Mifflin, 1937)
  • Drums at Dusk: A Novel (New York: Macmillan, 1939; reprinted Baton Rouge, Louisiana:Louisiana State University Press, 2009, ISBN 978-0-8071-3439-9)
  • Golden Slippers: an Anthology of Negro Poetry for Young Readers, compiled by Arna Bontemps (New York: Harper & Row, 1941)
  • The Fast Sooner Hound, by Arna Bontemps and Jack Conroy (Boston: Houghton Mifflin, 1942)
  • They Seek a City (Garden City, New York: Doubleday, Doran and Co., 1945)
  • We Have Tomorrow (Boston: Houghton Mifflin, 1945)
  • Slappy Hooper, the Wonderful Sign Painter, by Arna Bontemps and Jack Conroy (Boston: Houghton Mifflin, 1946)
  • Story of the Negro, (New York: Knopf, 1948; New York: Random House, 1963)
  • The Poetry of the Negro, 1746–1949: an anthology, edited by Langston Hughes and Arna Bontemps (Garden City, NY: Doubleday, 1949)
  • George Washington Carver (Evanston, IL: Row, Peterson, 1950)
  • Father of the Blues: an Autobiography, W.C. Handy, ed. Arna Bontemps (New York: Macmillan, 1941, 1957; Da Capo Press, 1991)
  • Chariot in the Sky: a Story of the Jubilee Singers (Philadelphia: Winston, 1951; London: Paul Breman, 1963; Oxford & New York: Oxford University Press, 2002)
  • Lonesome Boy (Boston: Houghton Mifflin, 1955; Beacon Press, 1988)
  • Famous Negro Athletes (New York: Dodd, Mead, 1964)
  • Great Slave Narratives (Boston: Beacon Press, 1969)
  • Hold Fast to Dreams: Poems Old and New Selected by Arna Bontemps (Chicago: Follett, 1969)
  • Mr. Kelso’s Lion (Philadelphia: Lippincott, 1970)
  • Free at Last: the Life of Frederick Douglass (New York: Dodd, Mead, 1971; Apollo Editions, 2000)
  • The Harlem Renaissance Remembered: Essays, Edited, With a Memoir (New York: Dodd, Mead, 1972, 1984)
  • Young Booker: Booker T. Washington’s Early Days (New York, Dodd, Mead, 1972)
  • The Old South: "A Summer Tragedy" and Other Stories of the Thirties (New York: Dodd, Mead, 1973)

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Famous quotes containing the word works:

    They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.
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    A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.
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    Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.
    Josiah Royce (1855–1916)