Arabic Literature - Literary Criticism

Literary Criticism

Early on in the Arabic literary world, there has been a culture of academic criticism. The poetry festivals of the pre-Islamic period often pitched two poets against each other in a war of verse in which one would be deemed winner by the audience. Literary criticism also grew into theology, and thus gained a more official status with Islamic study of the Qur'an. Although nothing which might be termed 'literary criticism', in the modern sense, was applied to a work held to be i'jaz or inimitable and divinely inspired, analysis was permitted. This study allowed for better understanding of the message and facilitated interpretation for practical use, all of which help the development of a critical method important for later work on other literature. A clear distinction regularly drawn between works in literary language and popular works has meant that only part of the literature in Arabic was usually considered worthy of study and criticism.

Some of the first studies of the poetry are Qawa'id al-shi'r or The Rules of Poetry by Tha'lab and Naqd al-shi'r Poetic Criticism by Qudamah ibn Ja'far. Other works tended to continue the tradition of contrasting two poets in order to determine which one best follows the rule of classical poetic structure. Plagiarism also became a significant idea exercising the critics' concerns. The works of al-Mutanabbi were particularly studied with this concern. He was considered by many the greatest of all Arab poets but his own arrogant self-regard for his abilities did not endear him to other writers and they looked for a source for his verse. Just as there were collections of facts written about many different subjects, numerous collections detailing every possible rhetorical figure used in literature emerged as well as how to write guides.

Modern criticism at first compared the new works unfavourably with the classical ideals of the past but these standards were soon rejected as too artificial. The adoption of the forms of European romantic poetry dictated the introduction of corresponding critical standards. Taha Hussayn, himself keen on European thought, would even dare to challenge the Qur'an with modern critical analysis in which he pointed out the ideas and stories borrowed from pre-Islamic poetry.