Excavation and Conservation
The first fragmentary sculptures were rediscovered in 1568 beneath the basilica San Lorenzo in Lucina, and have found their way to the Villa Medici, the Vatican, the Uffizi and the Louvre. In 1859 further sculptural fragments were found under Teatro Olimpia, part of the Peretti Palace in via in Lucina, close to the Italian Parliament Building and the sculptures were recognized as having belonged to the same monument.
In 1903, when Friedrich von Duhn recognized that the reliefs belonged to the Ara Pacis, known from Augustus' memoir, a request was sent to the Ministry of Public Education to continue the excavations. Their success was made possible by the generosity of Edoardo Almagià , who, as well as giving his permission for the exploration, donated in advance whatever should be discovered underneath the palace and made an ongoing financial contribution to the expenses of the excavation.
By July of that year, it became clear that the conditions were extremely difficult and that the stability of Teatro Olimpia might well be compromised.
When about half the monument had been examined and 53 fragments recovered, the excavation was called to a halt. In February 1937, the Italian Cabinet decreed that for the 2000th anniversary of the birth of Augustus, the excavations should recommence, using the most advanced technology. Seventy cubic metres of ground under what was by then the Cinema Nuovo Olimpia were frozen, whilst the altar was extracted.
In 1938 Benito Mussolini built a protective building for the Altar, as it had been reconstructed by Vittorio Ballio Morpurgo, near the Mausoleum of Augustus (moving the Altar in the process) as part of his attempt to create an ancient Roman "theme park" to glorify Fascist Italy.
A new cover building, designed by American architect Richard Meier, now stands on the same site as Mussolini's. The new building opened in 2006 to controversy. Nicolai Ouroussoff, of the New York Times described the new building as "a flop". The presiding right-wing mayor Gianni Alemanno, backed since July 2008 by culture undersecretary Francesco Maria Giro said he would tear down the new structure. Mayor Alemmano has since changed his stance on the building and has agreed with Mr. Meier to modifications including drastically reducing the height of the wall between an open-air space outside the museum and a busy road along the Tiber river. The city plans to build a wide pedestrian area along the river and run the road underneath it. "It's an improvement," says Meier, adding that "the reason that wall was there has to do with traffic and noise. Once that is eliminated, the idea of opening the piazza to the river is a good one." The mayor’s office said Alemanno hopes to complete the project before the end of his term in 2013.
Read more about this topic: Ara Pacis
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