Apollo Program - Apollo 11 Broadcast Data Restoration Project

Apollo 11 Broadcast Data Restoration Project

As part of Apollo 11's 40th anniversary in 2009, NASA spearheaded an effort to digitally restore the existing videotapes of the mission's live televised moonwalk. After an exhaustive three-year search for missing tapes of the original video of the Apollo 11 moonwalk, NASA concluded the data tapes had more than likely been accidentally erased.

We're all saddened that they're not there. We all wish we had 20-20 hindsight. I don't think anyone in the NASA organization did anything wrong, I think it slipped through the cracks, and nobody's happy about it. —Dick Nafzger, TV Specialist, NASA Goddard Space Flight Center

The Moon landing data was recorded by a special Apollo TV camera which recorded in a format incompatible with broadcast TV. This resulted in lunar footage that had to be converted for the live television broadcast and stored on magnetic telemetry tapes. During the following years, a magnetic tape shortage prompted NASA to remove massive numbers of magnetic tapes from the National Archives and Records Administration to be recorded over with newer satellite data. Stan Lebar, who designed and built the lunar camera at Westinghouse Electric Corporation, also worked with Nafzger to try to locate the missing tapes.

So I don't believe that the tapes exist today at all. It was a hard thing to accept. But there was just an overwhelming amount of evidence that led us to believe that they just don't exist anymore. And you have to accept reality. —Stan Lebar, Lunar Camera Designer, Westinghouse Electric Corporation

With a budget of $230,000, the surviving original lunar broadcast data from Apollo 11 was compiled by Nafzger and assigned to Lowry Digital for restoration. The video was processed to remove random noise and camera shake without destroying historical legitimacy. The images were from tapes in Australia, the CBS News archive, and kinescope recordings made at Johnson Space Center. The restored video, remaining in black and white, contains conservative digital enhancements and did not include sound quality improvements.

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