Works
A composition by Vivaldi is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by the musicologist Peter Ryom.
Le quattro stagioni (The Four Seasons) of 1723 is his most famous work. Part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th century program music.
Vivaldi wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About forty concertos are for two instruments and strings and about thirty are for three or more instruments and strings.
As well as about 46 operas, Vivaldi composed a large body of sacred choral music. Other works include sinfonias, about 90 sonatas and chamber music.
Some sonatas for flute, published as Il Pastor Fido, have been erroneously attributed to Vivaldi, but were composed by Nicolas Chédeville.
Vivaldi's Gloria (a collection of choral pieces for SATB) is a very well known and widely praised piece. The research of Richard Vendome has showed that Vivaldi wrote this piece while he was the director of music at a girl's dance school, implying that he intended all the parts - including the tenor and bass lines - to be sung by girls or women. Vendome's thesis is controversial, but he has has proved it to be possible with his own 'SPAV' choir, which is dedicated to the works of Vivaldi and his students and in which females sing bass, tenor, soprano and alto, all at pitch.
Read more about this topic: Antonio Vivaldi
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—Henry David Thoreau (1817–1862)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)
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—Jean Genet (1910–1986)