Guitars
Torres guitars are divided into two periods. The first, belonging to Sevilla from 1852–1870; the second, being the years 1871-1893 in Almería. The guitars Torres made were so superior to those of his contemporaries that their example changed the way guitars were built, first in Spain, and then in the rest of the world. Although they are not particularly loud by modern standards, they have a clear, balanced, firm and rounded tone, that projects very well. His guitars were not only widely imitated and copied, but as he never signed his guitars, and only numbered those from his second epoch, over the years many fakes Torres have been made, some made by well-known and expert makers. The only difference between his classical guitars and the modern versions are some of the materials. The original strings were of cut, but now thet are made of nylon. The head of the tuning scrolls, the bridges were originally of ivory but now they are made of plastic.
Read more about this topic: Antonio Torres Jurado
Famous quotes containing the word guitars:
“Even now she does the snake-hips with a hiss,
Slops the bad wine across her shantung, talks
Of pregnancy, guitars and bridgework, walks
In parks or alleys, comes haply on the verge
Of happiness, haply hysterics. Is.”
—Gwendolyn Brooks (b. 1917)
“The present century has not dealt kindly with the farmer. His legends are all but obsolete, and his beliefs have been pared away by the professors at colleges of agriculture. Even the farm- bred bards who twang guitars before radio microphones prefer “I’m Headin’ for the Last Roundup” to “Turkey in the Straw” or “Father Put the Cows Away.””
—For the State of Kansas, U.S. public relief program (1935-1943)