Works
Title | Libretto | Première date | Place, theatre | Notes |
---|---|---|---|---|
Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
Famous quotes containing the word works:
“Audible prayer can never do the works of spiritual understanding, which regenerates; but silent prayer, watchfulness, and devout obedience enable us to follow Jesus example. Long prayers, superstition, and creeds clip the strong pinions of love, and clothe religion in human forms. Whatever materializes worship hinders mans spiritual growth and keeps him from demonstrating his power over error.”
—Mary Baker Eddy (18211910)
“...A shadow now occasionally crossed my simple, sanguine, and life enjoying mind, a notion that I was never really going to accomplish those powerful literary works which would blow a noble trumpet to social generosity and noblesse oblige before the world. What? should I find myself always planning and never achieving ... a richly complicated and yet firmly unified novel?”
—Sarah N. Cleghorn (18761959)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)