Works
Title | Libretto | Première date | Place, theatre | Notes |
---|---|---|---|---|
Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
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“The man who builds a factory builds a temple, that the man who works there worships there, and to each is due, not scorn and blame, but reverence and praise.”
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