Works
| Title | Libretto | Première date | Place, theatre | Notes |
|---|---|---|---|---|
| Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
| Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
| Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
| L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
| La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
| Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
| La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
| Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
| Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
| Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
| La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
| La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
| Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
| Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
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“Every man is in a state of conflict, owing to his attempt to reconcile himself and his relationship with life to his conception of harmony. This conflict makes his soul a battlefield, where the forces that wish this reconciliation fight those that do not and reject the alternative solutions they offer. Works of art are attempts to fight out this conflict in the imaginative world.”
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