Works
| Title | Libretto | Première date | Place, theatre | Notes |
|---|---|---|---|---|
| Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
| Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
| Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
| L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
| La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
| Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
| La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
| Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
| Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
| Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
| La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
| La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
| Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
| Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
Famous quotes containing the word works:
“I look on trade and every mechanical craft as education also. But let me discriminate what is precious herein. There is in each of these works an act of invention, an intellectual step, or short series of steps taken; that act or step is the spiritual act; all the rest is mere repetition of the same a thousand times.”
—Ralph Waldo Emerson (1803–1882)
“They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
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“His works are not to be studied, but read with a swift satisfaction. Their flavor and gust is like what poets tell of the froth of wine, which can only be tasted once and hastily.”
—Henry David Thoreau (1817–1862)