Works
| Title | Libretto | Première date | Place, theatre | Notes |
|---|---|---|---|---|
| Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
| Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
| Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
| L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
| La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
| Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
| La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
| Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
| Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
| Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
| La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
| La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
| Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
| Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
Famous quotes containing the word works:
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
—Josiah Royce (1855–1916)
“For thou hast made him a little lower than the angels, and hast
crowned him with glory and honor.
Thou madest him to have dominion over the works of thy hands;”
—Bible: Hebrew Psalm VIII (l. VIII, 5–6)