Works
| Title | Libretto | Première date | Place, theatre | Notes |
|---|---|---|---|---|
| Alessandro vincitor di se stesso | Francesco Sbarra | 1651 | Venice, Teatro Santi Giovanni e Paolo | |
| Il Cesare amante | Dario Varotari | 1651 | Venice, Teatro Grimano | |
| Cleopatra | Dario Varotari | 1654 | Innsbruck | revised version of Il Cesare amante |
| L'Argia | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Marte placata | Giovanni Filippo Apolloni | 1655 | Innsbruck | |
| Orontea | Giacinto Andrea Cicognini, revised by Giovanni Filippo Apolloni | 19 February 1656 | Innsbruck | |
| La Dori | Giovanni Filippo Apolloni | 1657 | Innsbruck | |
| Venere cacciatrice | Francesco Sbarra | 1659 | Innsbruck | lost |
| La magnanimità d’Alessandro | Francesco Sbarra | 1662 | Innsbruck | |
| Il Tito | Nicolò Beregan | 13 February 1666 | Venice, Teatro Grimano | |
| Nettuno e Flora festeggianti | Francesco Sbarra | 12 July 1666 | Vienna | |
| Le disgrazie d'Amore | Francesco Sbarra | 19 February 1667 | Vienna | |
| La Semirami | Giovanni Andrea Moniglia | 9 July 1667 | Vienna | revised 1674 in Modena as La schiava fortunata |
| La Germania esultante | Francesco Sbarra | 1667 | Vienna | |
| Il pomo d'oro | Francesco Sbarra | 12–14 July 1668 | Vienna | |
| Genserico | Nicolò Beregan | 1669 | Venice |
|Intorno All'Idol Mio||||1654||||
Read more about this topic: Antonio Cesti
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“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)
“It is the art of mankind to polish the world, and every one who works is scrubbing in some part.”
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“I believe it has been said that one copy of The Times contains more useful information than the whole of the historical works of Thucydides.”
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