Possible Vermeer Connection
Van Leeuwenhoek was a contemporary of another famous Delft citizen, painter Johannes Vermeer, who was baptized just four days earlier. It has been suggested that he is the man portrayed in two of Vermeer's paintings of the late 1660s, The Astronomer and The Geographer. However, others argue that there appears to be little physical similarity. Because they were both relatively important men in a city with only 24,000 inhabitants, it is likely that they were at least acquaintances. Also, it is known that Van Leeuwenhoek acted as the executor of the will when the painter died in 1675.
In A Short History of Nearly Everything (p. 236) Bill Bryson alludes to rumors that Vermeer's mastery of light and perspective came from use of a camera obscura produced by Van Leeuwenhoek. This is one of the examples of the controversial Hockney–Falco thesis, which claims that some of the Old Masters used optical aids to produce their masterpieces.
Read more about this topic: Antonie Van Leeuwenhoek
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