Reception in The 20th Century
Because of the long duration and vast orchestral canvas of much of his music, Bruckner's popularity has greatly benefited from the introduction of long-playing media and from improvements in recording technology.
Decades after his death, the Nazis strongly approved of Bruckner's music because it was considered by them to be an expression of the zeitgeist of the German volk, and Hitler even consecrated a bust of Bruckner in a widely photographed ceremony in 1937 at Regensburg's Walhalla temple. Bruckner's music was among the most popular in Nazi Germany and the Adagio from his Seventh Symphony was broadcast by the German radio (Deutscher Reichsrundfunk) upon announcing the news of Hitler's death on 1 May 1945. However, this did not hurt Bruckner's standing in the postwar media, and several movies and TV productions in Europe and the United States have used excerpts from his music ever since the 1950s, as they already did in the 1930s. Nor did the Israel Philharmonic Orchestra ever ban Bruckner's music as they have Wagner's, even recording with Zubin Mehta the Eighth Symphony.
Bruckner's symphonic works, much maligned in Vienna in his lifetime, now have an important place in the tradition and musical repertoire of the Vienna Philharmonic Orchestra.
The life of Bruckner was portrayed in Jan Schmidt-Garre's 1995 film Bruckner's Decision, which focuses on his recovery in the Austrian spa. Ken Russell's TV movie The Strange Affliction of Anton Bruckner, starring Peter Mackriel, also fictionalizes Bruckner's real-life stay at a sanatorium because of obsessive-compulsive disorder (or 'numeromania' as it was then described).
In addition, "Visconti used the music of Bruckner for his Senso (1953), its plot concerned with the Austrian invasion of Italy in the 1860s." The score by Carl Davis for Ben-Hur (1925) version restoration takes "inspiration from Bruckner to achieve reverence in biblical scenes."
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