Anthrax (band) - Appearances in Other Media

Appearances in Other Media

Anthrax has made several appearances on television, including the programs Married... with Children, WWE Raw, NewsRadio, Cheers, and Ask Dr. Ruth among others. Scott Ian has a cameo in the film Run Ronnie Run ( also performing on the soundtrack as part of the band Titannica) and the band appear in the 2003 comedy Calendar Girls. Their song "Madhouse" was used in the video game Grand Theft Auto: Vice City in-game radio station V-Rock and in Guitar Hero II. The song "Now It's Dark" was also converted into simlish on the metal radio station for The Sims PC game. Their song "Caught in a Mosh" was featured in Guitar Hero Encore: Rocks the 80s, and it is also featured on Guitar Hero: Smash Hits. The song was also featured in the game Rock Band 3. Their song "Indians" was featured in "Guitar Hero: Warriors of Rock". In 2006, guitarist Scott Ian was a cast member of VH1's reality show SuperGroup and is also featured on many other VH1 shows such as I Love the 80s and I Love the 90s. Anthrax contributed a song to The Beavis and Butt-Head Experience CD, a cover of the Beastie Boys song "Looking Down the Barrel of a Gun". They also contributed a song, Poison My Eyes, to The Last Action Hero soundtrack and provided the title track on the Bordello of Blood soundtrack. Anthrax also worked on the soundtrack to the John Carpenter film, Ghosts of Mars, working with the director and other musicians rather than writing their own songs. On the compilation album ECW:Extreme Music Anthrax recorded a cover of the Metallica song "Phantom Lord".

Read more about this topic:  Anthrax (band)

Famous quotes containing the words appearances and/or media:

    Truth has scarce done so much good in the world as the false appearances of it have done hurt.
    François, Duc De La Rochefoucauld (1613–1680)

    The media no longer ask those who know something ... to share that knowledge with the public. Instead they ask those who know nothing to represent the ignorance of the public and, in so doing, to legitimate it.
    Serge Daney (1944–1992)