Career
His first piece of produced work was a 1975 stage adaptation of Gabriel Josipovici's Mobius the Stripper and it was his 1985 piece Whale Music that kickstarted his career. He made his directorial debut with a double bill of Samuel Beckett's Play and Happy Days. His first feature film as a director was A Little Like Drowning in 1978.
During the 1980s, he worked in television, starting as a runner on Magpie before moving into script editing the children's drama series Grange Hill for the BBC and later writing The Storyteller series for Jim Henson. He also wrote several episodes of the ITV detective drama Inspector Morse and an episode of long-running ITV drama Boon. His 1986 play Made in Bangkok found mainstream success in the West End.
Minghella won radio success with a Giles Cooper Award for his radio drama Cigarettes and Chocolate first broadcast on BBC Radio 4 in 1988. It was revived on 3 May 2008 as a tribute to its author director following his death. His production starred Juliet Stevenson, Bill Nighy and Jenny Howe. His first radio play Hang Up, starring Anton Lesser and Juliet Stevenson, was revived on 10 May 2008 as part of the BBC Radio 4 Minghella season.
Minghella's 1990 feature Truly, Madly, Deeply, a drama he had written and directed for the BBC's Screen Two anthology strand, bypassed its expected TV broadcast and received a cinema release. In order to make the film, he had turned down an offer to direct another episode of Inspector Morse, which he had thought would be a much higher-profile assignment.
In 1996, he won the Academy Award for Best Director for The English Patient. He was nominated for the Academy Award for Adapted Screenplay for 1999's The Talented Mr. Ripley.
The pilot episode of the television adaptation of The No. 1 Ladies' Detective Agency, which he co-wrote and directed, was broadcast on BBC One shortly after his death on 23 March 2008; it was watched by 6.3 million viewers.
He vocally supported I Know I'm Not Alone, a film of musician Michael Franti's peacemaking excursions into Iraq, Palestine and Israel.
He directed a party election broadcast for the Labour Party in 2005. The short film depicted Tony Blair and Gordon Brown working together and was criticised for being insincere: "The Anthony Minghella party political broadcast last year was full of body language fibs", said Peter Collett, a psychologist at the University of Oxford. "When you are talking to me, I'll give you my full attention only if I think you are very high status or if I love you. On that party political broadcast, they are staring at each other like lovers. It is completely false."
He returned to radio drama in 2006 with Eyes Down Looking on BBC Radio 3, starring Jude Law, Juliet Stevenson and David Threlfall to mark Samuel Beckett's 100th birthday celebrations.
Minghella made his operatic debut directing Puccini's Madama Butterfly. It was first seen at the English National Opera in London in 2005, at the Lithuanian National Opera and Ballet Theatre in Vilnius in March 2006 and at the Metropolitan Opera in New York City in September 2006. The Met's production has been transmitted live into movie theaters worldwide on March 7, 2008 part of the Met's HD series and is now available on DVD. The Anthony Minghella Theatre at the Quay Arts Centre on the Isle of Wight is named in his honour. Minghella also made an appearance in the 2007 film Atonement, playing a television host interviewing the novelist whose role was central to the story. Minghella died the day the film was released on DVD.
Minghella's last work was the screenplay of the film adaptation of the 1982 Tony Award-winning musical Nine, based on the film 8½, book by Arthur Kopit, score by Maury Yeston. Minghella worked with Michael Tolkin on the screenplay, with whom he shared credit.
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Famous quotes containing the word career:
“Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye.”
—Douglas MacArthur (18801964)
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (182595)
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (18541900)