Works
A festschrift, Studies in Renaissance and Baroque Art presented to Anthony Blunt on his 60th Birthday, Phaidon 1967 (introduction by Ellis Waterhouse), contains a full list of his writings up to 1966.
Major works include:
- Anthony Blunt, François Mansart and the Origins of French Classical Architecture, 1941.
- Blunt, Art and Architecture in France, 1500–1700, 1953 and many subsequent editions.
- Blunt, Nicolas Poussin. A Critical Catalogue, Phaidon 1966
- Blunt, Nicolas Poussin, Phaidon 1967 (new edition Pallas Athene publishing, London, 1995).
- Blunt, Sicilian Baroque, 1968 (ed. it. Milano 1968; Milano 1986).
- Blunt, Picasso's Guernica, Oxford University Press, 1969.
- Blunt, Neapolitan Baroque and Rococo Architecture, London 1975 (ed. it. Milano 2006).
- Blunt, Baroque and Rococo Architecture and Decoration, 1978.
- Blunt, Borromini, 1979 (ed. it. Roma-Bari 1983).
- Blunt, L'occhio e la storia. Scritti di critica d'arte (1936–38), a cura di Antonello Negri, Udine 1999.
Important articles after 1966:
- Anthony Blunt, 'Rubens and architecture,' Burlington Magazine, 1977, 894, pp. 609–621.
- Anthony Blunt, 'Roman Baroque Architecture: the Other Side of the Medal,' Art history, no. 1, 1980, pp. 61–80 (includes bibliographical references).
Read more about this topic: Anthony Blunt
Famous quotes containing the word works:
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when youre weary or a stool
To stumble over and vex you ... curse that stool!
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (18061861)
“A complete woman is probably not a very admirable creature. She is manipulative, uses other people to get her own way, and works within whatever system she is in.”
—Anita Brookner (b. 1938)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtuethe same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)