Anthology Series - Radio

Radio

Many popular old-time radio programs were anthology series. On some series, such as Inner Sanctum Mysteries, the only constant was the host, who introduced and concluded each dramatic presentation. One of the earliest such programs was The Collier Hour, broadcast on the NBC Blue Network from 1927 to 1932. Radio's first major dramatic anthology, it adapted stories and serials from Collier's Weekly in a calculated move to increase subscriptions and compete with The Saturday Evening Post. Airing on the Wednesday prior to each week's distribution of the magazine, the program soon moved to Sundays in order to avoid spoilers with dramatizations of stories simultaneously appearing in the magazine.

Radio drama anthology series include:

  • Academy Award Theater
  • Arch Oboler's Plays
  • The Campbell Playhouse
  • Cavalcade of America
  • CBS Radio Workshop
  • Earplay
  • Lux Radio Theater
  • The Mercury Theatre on the Air
  • The Screen Guild Theater

Read more about this topic:  Anthology Series

Famous quotes containing the word radio:

    Denouement to denouement, he took a personal pride in the
    certain, certain way he lived his own, private life,
    but nevertheless, they shut off his gas; nevertheless,
    the bank foreclosed; nevertheless, the landlord called;
    nevertheless, the radio broke,

    And twelve o’clock arrived just once too often,
    Kenneth Fearing (1902–1961)

    England has the most sordid literary scene I’ve ever seen. They all meet in the same pub. This guy’s writing a foreword for this person. They all have to give radio programs, they have to do all this just in order to scrape by. They’re all scratching each other’s backs.
    William Burroughs (b. 1914)

    There was a girl who was running the traffic desk, and there was a woman who was on the overnight for radio as a producer, and my desk assistant was a woman. So when the world came to an end, we took over.
    Marya McLaughlin, U.S. television newswoman. As quoted in Women in Television News, ch. 3, by Judith S. Gelfman (1976)