Works
Anselm's greatest work, an interlinear and marginal gloss on the 'Scriptures', the Glossa ordinaria, now attributed to him and his followers, was one of the great intellectual achievements of the Middle Ages. It has been frequently reprinted. The significance of the gloss, which was most likely assembled after Anselm's death by his students, such as Gilbert de la Porrée, and based on Anselm's teaching, is that it marked a new way of learning — it represented the birth of efforts to present discrete patristic and earlier medieval interpretations of individual verses of Scripture in a readily-accessible, easily-referenced way. This theme was subsequently adopted and extended by the likes of Hugh of St. Victor, Peter Lombard and later Thomas Aquinas, who gave us 'handbooks' for what we would now call theology.
Other commentaries apparently by Anselm have been ascribed to various writers, principally to Anselm of Canterbury. A list of them, with notice of Anselm's life, is contained in the Histoire littéraire de la France, x. 170-189.
The works are collected in Migne's Patrologia Latina, tome 162; some unpublished Sententiae were edited by G Lefevre (Milan, 1894), on which see Barthélemy Hauréau in the Journal des savants for 1895. The commentary on the Psalms published by Migne in vol. 116 and attributed to Haymo of Halberstadt has also been identified as possibly being the work of Anselm.
Read more about this topic: Anselm Of Laon
Famous quotes containing the word works:
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)