Works
Anselm's greatest work, an interlinear and marginal gloss on the 'Scriptures', the Glossa ordinaria, now attributed to him and his followers, was one of the great intellectual achievements of the Middle Ages. It has been frequently reprinted. The significance of the gloss, which was most likely assembled after Anselm's death by his students, such as Gilbert de la Porrée, and based on Anselm's teaching, is that it marked a new way of learning — it represented the birth of efforts to present discrete patristic and earlier medieval interpretations of individual verses of Scripture in a readily-accessible, easily-referenced way. This theme was subsequently adopted and extended by the likes of Hugh of St. Victor, Peter Lombard and later Thomas Aquinas, who gave us 'handbooks' for what we would now call theology.
Other commentaries apparently by Anselm have been ascribed to various writers, principally to Anselm of Canterbury. A list of them, with notice of Anselm's life, is contained in the Histoire littéraire de la France, x. 170-189.
The works are collected in Migne's Patrologia Latina, tome 162; some unpublished Sententiae were edited by G Lefevre (Milan, 1894), on which see Barthélemy Hauréau in the Journal des savants for 1895. The commentary on the Psalms published by Migne in vol. 116 and attributed to Haymo of Halberstadt has also been identified as possibly being the work of Anselm.
Read more about this topic: Anselm Of Laon
Famous quotes containing the word works:
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
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“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“In saying what is obvious, never choose cunning. Yelling works better.”
—Cynthia Ozick (b. 1928)