Career
Bancroft was a contract player in the early days of her career just as the studio contract system was ending. She left Hollywood because of the poor quality of roles she was being offered and returned to New York.
In 1958, Bancroft made her Broadway debut as lovelorn, Bronx-accented Gittel Mosca opposite Henry Fonda (as the married man Gittel loves) in William Gibson's two-character play Two for the Seesaw, directed by Arthur Penn. For Gittel, she won the Tony Award for Best Performance by a Featured Actress in a Play. (Though her role was quite equal to Fonda's, he, an established film actor, was the star, and so she was eligible in the featured category).
She subsequently won the Tony Award for Best Performance by a Leading Actress in a Play in 1960, again with playwright Gibson and director Penn, when she played Annie Sullivan, the sight-impaired, heroically indefatigable Irish girl who teaches the child Helen Keller to communicate in The Miracle Worker. She took the latter role to Hollywood, and won the Academy Award for Best Actress, with Patty Duke repeating her own success as Helen alongside Bancroft in the 1962 film version of the play. Bancroft had returned to Broadway to star in Mother Courage and Her Children, so Joan Crawford accepted Bancroft's Oscar on her behalf, and later presented the award to her in New York. She is one of the very distinct few to have won an Academy Award and Tony Award for the same role. Bancroft also co-starred as a medieval nun obsessed with a priest opposite Jason Robards in the 1965 Broadway production of John Whiting's play The Devils. Produced by Alexander H. Cohen and directed by Michael Cacoyannis, it ran for a total of 63 performances.
Bancroft received a second Academy Award nomination in 1965 for her performance in The Pumpkin Eater. Her best-known role during this period was as Mrs. Robinson in The Graduate (1967), for which she received a third Academy Award nomination. In the film, she played an unhappily married woman who seduces a family friend, the much-younger recent college graduate played by Dustin Hoffman. In the movie, Hoffman's character later dates and falls in love with her daughter. Bancroft was ambivalent about her appearance in The Graduate; she stated in several interviews that the role overshadowed all of her other work. Despite her character becoming an archetype of the "older woman" role, Bancroft was only six years older than Dustin Hoffman.
A CBS television special, Annie: the Women in the Life of a Man (1970), won Bancroft an Emmy Award for her singing and acting. Bancroft is one of a very select few entertainers to win an Oscar, an Emmy and a Tony award. She followed that success with a second television special, Annie and The Hoods (1974), which was telecast on ABC and featured her husband Mel Brooks as a guest star. She made an uncredited cameo in the film Blazing Saddles (1974), directed by Brooks. She received a fourth Academy Award nomination for her performance in The Turning Point (1977) opposite Shirley MacLaine, and a fifth nomination for her performance in Agnes of God (1985) opposite Jane Fonda.
Bancroft made her debut as a screenwriter and director in Fatso (1980), in which she starred along with Dom DeLuise. Bancroft was also the original choice to play Joan Crawford in the film Mommie Dearest (1981), but backed out at the eleventh hour, and was replaced by Faye Dunaway. She was also a front-runner for the role of Aurora Greenway in Terms of Endearment (1983), but declined in order to act in the remake of To Be or Not to Be (1983), with her husband Mel Brooks.
During the 1990s and the first half of the 2000s, Bancroft took supporting roles in a number of films in which she co-starred with major film stars, including Honeymoon in Vegas (1992) with Nicolas Cage; Love Potion No. 9 (1992) with Sandra Bullock; Malice (1993) with Nicole Kidman; Point of No Return (1993) with Bridget Fonda; Home for the Holidays (1995) with Robert Downey Jr. and directed by Jodie Foster; How to Make an American Quilt (1995) with Winona Ryder, G.I. Jane (1997) with Demi Moore; Great Expectations (1998) with Gwyneth Paltrow; Keeping the Faith (2000) with Ben Stiller; and Heartbreakers (2001) with Jennifer Love Hewitt, Sigourney Weaver and Gene Hackman. She also lent her voice to the animated film Antz (1998) which also featured performances from Jennifer Lopez, Sharon Stone, and Woody Allen.
Bancroft also starred in several television movies and miniseries, receiving six Emmy Award nominations (winning twice), eight Golden Globe nominations (winning twice), and two Screen Actors Guild Awards. Her final appearance was as herself in a 2004 episode of HBO's Curb Your Enthusiasm. Her last project was the animated feature Delgo, released posthumously in 2008.
She received a star on the Hollywood Walk of Fame at 6368 Hollywood Boulevard, for her work in television. At the time of her star's installation (1960), she had recently appeared in several TV series.
Read more about this topic: Anne Bancroft
Famous quotes containing the word career:
“Work-family conflicts—the trade-offs of your money or your life, your job or your child—would not be forced upon women with such sanguine disregard if men experienced the same career stalls caused by the-buck-stops-here responsibility for children.”
—Letty Cottin Pogrebin (20th century)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)
“In time your relatives will come to accept the idea that a career is as important to you as your family. Of course, in time the polar ice cap will melt.”
—Barbara Dale (b. 1940)