Film and Television Career
In 1994, after a long wish of having an acting career, Smith debuted with a minor role in the screwball comedy film The Hudsucker Proxy. Later the same year she played a supporting role opposite Leslie Nielsen and Fred Ward in the cop comedy film Naked Gun 33⅓: The Final Insult. Though both of these appearances were highly publicized, little was done to further Smith's acting career.
Her first major role was as Colette Dubois, a retired spy seeking revenge for the murder of her husband, in the action/thriller To the Limit (1995). Smith next starred in the direct-to-video "soft porn" action/thriller Skyscraper (1996), which she also produced, as a helicopter pilot, Carrie Wisk, who lands on a high rise building and, upon learning it has been taken over by terrorists, becomes engaged in a deadly fight to save hostages.
Both To the Limit and Skyscraper, and Smith's performances in them, were critically panned. During the course of the litigation over her late husband's estate, her career stalled. Her legal battle, her increasing weight, and her reportedly bizarre behavior made her regular fodder for late night television comedians.
In 2002, after a severe weight-gain, a faltered movie career, and struggling financial problems, Smith debuted in her own reality television series on the E! cable network, The Anna Nicole Show. The series focused on her personal and private life in the manner of other reality shows, such as the ratings hit The Osbournes.
The debut of The Anna Nicole Show was the highest rated series on the network, but critics blasted it and ratings dropped with each successive week. However, it achieved a cult status among some, particularly college fraternities. The show was canceled in February 2004 due to "creative differences," but has retained some life in reruns and on DVD releases.
Smith's next appearance on the big screen was as herself in Wasabi Tuna (2003), about a group of friends who kidnap her dog, Sugar-Pie, on Halloween. She appeared as herself again in Be Cool (2005), a crime/comedy about the film and music industries that stars John Travolta, Uma Thurman and The Rock. She produced and starred as "Lucy" in Illegal Aliens, a sci-fi/comedy about beautiful space aliens saving the earth from evil. The film is a mixture of the 1970s television drama series Charlie's Angels and the sci-fi film Men in Black.
Read more about this topic: Anna Nicole Smith
Famous quotes containing the words film and television, film, television and/or career:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“Is America a land of God where saints abide for ever? Where golden fields spread fair and broad, where flows the crystal river? Certainly not flush with saints, and a good thing, too, for the saints sent buzzing into man’s ken now are but poor- mouthed ecclesiastical film stars and cliché-shouting publicity agents.
Their little knowledge bringing them nearer to their ignorance,
Ignorance bringing them nearer to death,
But nearness to death no nearer to God.”
—Sean O’Casey (1884–1964)
“It is not heroin or cocaine that makes one an addict, it is the need to escape from a harsh reality. There are more television addicts, more baseball and football addicts, more movie addicts, and certainly more alcohol addicts in this country than there are narcotics addicts.”
—Shirley Chisholm (b. 1924)
“He was at a starting point which makes many a man’s career a fine subject for betting, if there were any gentlemen given to that amusement who could appreciate the complicated probabilities of an arduous purpose, with all the possible thwartings and furtherings of circumstance, all the niceties of inward balance, by which a man swings and makes his point or else is carried headlong.”
—George Eliot [Mary Ann (or Marian)