Reception
New York Times critic Anthony Tommasini described Anna Nicole as "a weirdly inspired work . . . engrossing, outrageous, entertaining and, ultimately, deeply moving." He characterized the libretto as "clever, literate and perceptive" and found the score to be "pulsing, wild and, when called for, yearning. Tommasini praised the initial production as "a musically rich, audacious and inexplicably poignant work."
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“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
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