Angelo Mai - Works

Works

It is on his skill as a reader of palimpsests that Mai's fame chiefly rests. To the period of his residence at Milan belong:

  • fragments of Cicero's judicial orations Pro Scauro, Pro Tullio, Pro Flacco, and his In Clodium et Curionem, De aere alieno Milonis, and De rege Alexandrino (1814)
  • M. Corn. Frontonis opera inedita, cum epistolis item ineditis, Antonini Pii, Marci Aurelii, Lucii Veri et Appiani (1815; new ed., 1823, with more than 100 additional letters found in the Vatican library)
  • portions of eight speeches of Quintus Aurelius Symmachus
  • fragments of Plautus
  • the oration of Isaeus' De hereditate Cleonymi
  • the last nine books of the Antiquities of Dionysius of Halicarnassus, and a number of other works.
  • Cicero's De Re Publica, published as M Tullii Ciceronis de republica quae supersunt, Rome, 1822
  • Scriptorum veterum nova collectio, e Vaticanis codicibus edita in 1825-1838
  • Classici scriptores e Vaticanis codicibus editi in 1828-1838
  • Spicilegium Romanum in 1839-1844 (Tomus III, Tomus IX)
  • Patrum nova bibliotheca in 1845-1853

His edition of the celebrated Codex Vaticanus Graecus 1209, completed in 1838, but not published (ostensibly the ground of inaccuracies) till four years after his death (1858), is the least satisfactory of his labours and was superseded by the edition of Vercellone and Cozza (1868), which itself leaves much to be desired.

Although Mai was not as successful in textual criticism as in the decipherment of manuscripts, he will always be remembered as a laborious and persevering pioneer, by whose efforts many ancient writings have been rescued from oblivion.

Read more about this topic:  Angelo Mai

Famous quotes containing the word works:

    “Again we mistook a little rocky islet seen through the “drisk,” with some taller bare trunks or stumps on it, for the steamer with its smoke-pipes, but as it had not changed its position after half an hour, we were undeceived. So much do the works of man resemble the works of nature. A moose might mistake a steamer for a floating isle, and not be scared till he heard its puffing or its whistle.”
    —Henry David Thoreau (1817–1862)

    “Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
    —Thomas Mann (1875–1955)

    “I divide all literary works into two categories: Those I like and those I don’t like. No other criterion exists for me.”
    —Anton Pavlovich Chekhov (1860–1904)