Works
It is on his skill as a reader of palimpsests that Mai's fame chiefly rests. To the period of his residence at Milan belong:
- fragments of Cicero's judicial orations Pro Scauro, Pro Tullio, Pro Flacco, and his In Clodium et Curionem, De aere alieno Milonis, and De rege Alexandrino (1814)
- M. Corn. Frontonis opera inedita, cum epistolis item ineditis, Antonini Pii, Marci Aurelii, Lucii Veri et Appiani (1815; new ed., 1823, with more than 100 additional letters found in the Vatican library)
- portions of eight speeches of Quintus Aurelius Symmachus
- fragments of Plautus
- the oration of Isaeus' De hereditate Cleonymi
- the last nine books of the Antiquities of Dionysius of Halicarnassus, and a number of other works.
- Cicero's De Re Publica, published as M Tullii Ciceronis de republica quae supersunt, Rome, 1822
- Scriptorum veterum nova collectio, e Vaticanis codicibus edita in 1825-1838
- Classici scriptores e Vaticanis codicibus editi in 1828-1838
- Spicilegium Romanum in 1839-1844 (Tomus III, Tomus IX)
- Patrum nova bibliotheca in 1845-1853
His edition of the celebrated Codex Vaticanus Graecus 1209, completed in 1838, but not published (ostensibly the ground of inaccuracies) till four years after his death (1858), is the least satisfactory of his labours and was superseded by the edition of Vercellone and Cozza (1868), which itself leaves much to be desired.
Although Mai was not as successful in textual criticism as in the decipherment of manuscripts, he will always be remembered as a laborious and persevering pioneer, by whose efforts many ancient writings have been rescued from oblivion.
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Famous quotes containing the word works:
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“On pragmatistic principles, if the hypothesis of God works satisfactorily in the widest sense of the word, it is true.”
—William James (1842–1910)
“The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest.”
—William James (1842–1910)