Works
It is on his skill as a reader of palimpsests that Mai's fame chiefly rests. To the period of his residence at Milan belong:
- fragments of Cicero's judicial orations Pro Scauro, Pro Tullio, Pro Flacco, and his In Clodium et Curionem, De aere alieno Milonis, and De rege Alexandrino (1814)
- M. Corn. Frontonis opera inedita, cum epistolis item ineditis, Antonini Pii, Marci Aurelii, Lucii Veri et Appiani (1815; new ed., 1823, with more than 100 additional letters found in the Vatican library)
- portions of eight speeches of Quintus Aurelius Symmachus
- fragments of Plautus
- the oration of Isaeus' De hereditate Cleonymi
- the last nine books of the Antiquities of Dionysius of Halicarnassus, and a number of other works.
- Cicero's De Re Publica, published as M Tullii Ciceronis de republica quae supersunt, Rome, 1822
- Scriptorum veterum nova collectio, e Vaticanis codicibus edita in 1825-1838
- Classici scriptores e Vaticanis codicibus editi in 1828-1838
- Spicilegium Romanum in 1839-1844 (Tomus III, Tomus IX)
- Patrum nova bibliotheca in 1845-1853
His edition of the celebrated Codex Vaticanus Graecus 1209, completed in 1838, but not published (ostensibly the ground of inaccuracies) till four years after his death (1858), is the least satisfactory of his labours and was superseded by the edition of Vercellone and Cozza (1868), which itself leaves much to be desired.
Although Mai was not as successful in textual criticism as in the decipherment of manuscripts, he will always be remembered as a laborious and persevering pioneer, by whose efforts many ancient writings have been rescued from oblivion.
Read more about this topic: Angelo Mai
Famous quotes containing the word works:
“Puritanism, in whatever expression, is a poisonous germ. On the surface everything may look strong and vigorous; yet the poison works its way persistently, until the entire fabric is doomed.”
—Emma Goldman (18691940)
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtuethe same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)
“Was it an intellectual consequence of this rebirth, of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
—Thomas Mann (18751955)