Works
It is on his skill as a reader of palimpsests that Mai's fame chiefly rests. To the period of his residence at Milan belong:
- fragments of Cicero's judicial orations Pro Scauro, Pro Tullio, Pro Flacco, and his In Clodium et Curionem, De aere alieno Milonis, and De rege Alexandrino (1814)
- M. Corn. Frontonis opera inedita, cum epistolis item ineditis, Antonini Pii, Marci Aurelii, Lucii Veri et Appiani (1815; new ed., 1823, with more than 100 additional letters found in the Vatican library)
- portions of eight speeches of Quintus Aurelius Symmachus
- fragments of Plautus
- the oration of Isaeus' De hereditate Cleonymi
- the last nine books of the Antiquities of Dionysius of Halicarnassus, and a number of other works.
- Cicero's De Re Publica, published as M Tullii Ciceronis de republica quae supersunt, Rome, 1822
- Scriptorum veterum nova collectio, e Vaticanis codicibus edita in 1825-1838
- Classici scriptores e Vaticanis codicibus editi in 1828-1838
- Spicilegium Romanum in 1839-1844 (Tomus III, Tomus IX)
- Patrum nova bibliotheca in 1845-1853
His edition of the celebrated Codex Vaticanus Graecus 1209, completed in 1838, but not published (ostensibly the ground of inaccuracies) till four years after his death (1858), is the least satisfactory of his labours and was superseded by the edition of Vercellone and Cozza (1868), which itself leaves much to be desired.
Although Mai was not as successful in textual criticism as in the decipherment of manuscripts, he will always be remembered as a laborious and persevering pioneer, by whose efforts many ancient writings have been rescued from oblivion.
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Famous quotes containing the word works:
“The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.”
—Freya Stark (b. 1893–1993)
“Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
—Jane Jacobs (b. 1916)
“I know no subject more elevating, more amazing, more ready to the poetical enthusiasm, the philosophical reflection, and the moral sentiment than the works of nature. Where can we meet such variety, such beauty, such magnificence?”
—James Thomson (1700–1748)