Angelo Mai - Works

Works

It is on his skill as a reader of palimpsests that Mai's fame chiefly rests. To the period of his residence at Milan belong:

  • fragments of Cicero's judicial orations Pro Scauro, Pro Tullio, Pro Flacco, and his In Clodium et Curionem, De aere alieno Milonis, and De rege Alexandrino (1814)
  • M. Corn. Frontonis opera inedita, cum epistolis item ineditis, Antonini Pii, Marci Aurelii, Lucii Veri et Appiani (1815; new ed., 1823, with more than 100 additional letters found in the Vatican library)
  • portions of eight speeches of Quintus Aurelius Symmachus
  • fragments of Plautus
  • the oration of Isaeus' De hereditate Cleonymi
  • the last nine books of the Antiquities of Dionysius of Halicarnassus, and a number of other works.
  • Cicero's De Re Publica, published as M Tullii Ciceronis de republica quae supersunt, Rome, 1822
  • Scriptorum veterum nova collectio, e Vaticanis codicibus edita in 1825-1838
  • Classici scriptores e Vaticanis codicibus editi in 1828-1838
  • Spicilegium Romanum in 1839-1844 (Tomus III, Tomus IX)
  • Patrum nova bibliotheca in 1845-1853

His edition of the celebrated Codex Vaticanus Graecus 1209, completed in 1838, but not published (ostensibly the ground of inaccuracies) till four years after his death (1858), is the least satisfactory of his labours and was superseded by the edition of Vercellone and Cozza (1868), which itself leaves much to be desired.

Although Mai was not as successful in textual criticism as in the decipherment of manuscripts, he will always be remembered as a laborious and persevering pioneer, by whose efforts many ancient writings have been rescued from oblivion.

Read more about this topic:  Angelo Mai

Famous quotes containing the word works:

    I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
    From the earth-poles to the line, All between that works or grows,
    Every thing is kin of mine.
    Ralph Waldo Emerson (1803–1882)

    I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.
    George Bernard Shaw (1856–1950)