Career and Decline
Andy's first single was the ballad "Words and Music" on the ATA label, owned by Joye. The single, backed by another Andy Gibb composition "Westfield Mansions", would eventually reach the Top Twenty on the Sydney music charts in 1976. Then Andy joined the band Zenta which included Trevor Norton as the drummer. Zenta supported international artists Sweet and the Bay City Rollers on the Sydney leg of their Australian tours. The planned follow-up single "Can't Stop Dancing" (a Ray Stevens song, later a US hit for The Captain and Tennille in May 1977) was not released, although Andy did perform it on television at least once on the revitalised Bandstand show hosted by Daryl Somers.
Robert Stigwood, who at the time was the Bee Gees' manager, signed Andy to his label, RSO Records in early 1976, after he had heard some of Andy's demo tapes. Andy soon moved to Miami Beach, Florida, to begin working on songs with his brother Barry and co-producers Albhy Galuten and Karl Richardson.
While in Australia, Andy married his girlfriend, Kim Reeder. On 25 January 1978 she had a daughter, Peta Jaye, but the couple had already separated before Reeder discovered she was pregnant. They divorced later that year.
In late 1976 in Miami, Andy, with older brother Barry producing and recording in the famed Criteria Studios, set about making his first album, Flowing Rivers. The first release from the album, and Andy’s first single released outside Australia, was "I Just Want to Be Your Everything" which was written by Barry, who also provided backup vocals. It reached number one in the United States and Australia and was the most played record of the year. In Britain it was a lesser hit, just scraping into the Top 30. Eight of the ten tracks on the album were Andy Gibb compositions, mostly songs written during his time in Australia. These included a re-recording of "Words and Music".
In September 1977 Flowing Rivers, with another number one single "(Love Is) Thicker Than Water" (co-written by Andy and Barry Gibb) to support it, quickly became a million selling album. That single broke in early 1978 during the time that the Bee Gees' contributions to the Saturday Night Fever soundtrack were dominating the world charts. In the United States it replaced "Stayin' Alive" at the top of the charts, and then was surpassed by "Night Fever" when it reached number one in mid-March.
Andy then began work with the Gibb-Galuten-Richardson production team on his second album, Shadow Dancing, which was released in April 1978. The title track, written by all four Gibb brothers, was released as a single in the United States in April 1978. In mid-June it began a seven week run at number one, achieving platinum status and the honor of being Billboard's number one song of 1978. In the United States, Andy became the first male solo artist to have three consecutive number one singles on the Billboard Hot 100, with all of the weeks at #1 from those singles just barely inside a year, from 30 July 1977 through 29 July 1978. Two further Top Ten singles, "An Everlasting Love" (which reached number five) and "(Our Love) Don't Throw It All Away" (which reached number nine), were released from the album, which became another million seller.
In 1979, Andy performed along with Bee Gees, ABBA, and Olivia Newton-John (duet with "Rest Your Love On Me"), at the Music for UNICEF Concert at the United Nations General Assembly which was broadcast worldwide.
He returned to the studio to begin recording sessions for his final full studio album, After Dark. In March 1980, the last of Gibb's Top Ten singles charted just ahead of the album's release. "Desire" (written by all four Gibb brothers), was recorded for Bee Gees' 1979 album Spirits Having Flown, and featured their original track complete with Andy's original "guest vocal" track. A second single, "I Can't Help It", a duet with family friend and fellow British and Australian expat Olivia Newton-John, reached the top 20.
Later in the year, Andy Gibb's Greatest Hits was released as a finale to his contract with RSO Records, with two new songs: "Time Is Time" (number 15 in January 1981) and "Me (Without You)" (Gibb's last top 40 chart entry) shipped as singles. "After Dark" and "Will You Still Love Me Tomorrow" were non-single songs added to the album, the latter of which was a duet with PP Arnold, who had previously worked with Barry Gibb, including singing uncredited backups on "Bury Me Down by the River" from Cucumber Castle.
During his relationship with actress Victoria Principal, Gibb worked on several projects outside the recording studio including performances in Andrew Lloyd Webber's Joseph and the Amazing Technicolor Dreamcoat on Broadway and Gilbert & Sullivan's The Pirates of Penzance in Los Angeles, California. He also co-hosted the television music show, Solid Gold, from 1980 to 1982. Gibb was ultimately fired from both Dreamcoat and Solid Gold because of absenteeism caused by cocaine binges.
Broadway producer Zev Bufman who financed Joseph and the Amazing Technicolor Dreamcoat said this of Gibb, "When Andy was at the theater, he was a joy. But he wasn't there enough", adding that of the five people to play Joseph up to that point, Gibb was the best actor. He also said after Gibb's death, "We'd lose him over long weekends. He'd come back on Tuesday, and he'd look beat. He was like a little puppy – so ashamed when he did something wrong. He was all heart, but he didn't have enough muscle to carry through." An unnamed co-star in Dreamcoat was quoted as saying, "I hear he spent most of his time in his hotel room in front of the TV. I guess he was frightened and insecure. That's what happens when you're the baby brother of the Bee Gees." Commenting after Gibb's death, Solid Gold producer Brad Lachman stated, "... was a very charming, vulnerable and charismatic performer. He clearly meant well. He wasn't being difficult. He was going through problems he couldn't deal with. He wanted everyone to love him. He had so much going for him, and he just couldn't believe it."
His romance with Principal also ended shortly thereafter when she gave him an ultimatum to choose between her or drugs, but not before they recorded and released a duet of the Everly Brothers' "All I Have to Do Is Dream" in the summer of 1981. He reportedly heard her singing in the shower and convinced her to go into the studio with him. This would be Gibb's last official single, and his last US chart entry, peaking at number 51.
His family convinced him to seek treatment for his drug addiction which included a stay at the Betty Ford Clinic in the mid-1980s. It was during this time that Gibb began touring small venues with a stage show featuring his hits as well as covers. He also appeared in guest-starring roles on several television sitcoms including Gimme a Break! and Punky Brewster. Following an expansive tour of East Asia, he regularly performed shows in Las Vegas and Lake Tahoe. In 1984, he was the headline performer at the Viña del Mar Festival in Chile, performing two nights in a row. He also held a two-week engagement at San Francisco's historic Fairmont Hotel in March 1986.
Andy returned to work alongside his brothers Barry and Maurice. Their demo recordings with engineer, Scott Glasel, was heard by Clive Banks from the UK branch of Island Records. Gibb never formally signed a contract but the record label planned to release a single in Europe that Spring, followed by another single that summer with the album to follow.
One of the demo tracks, "Man on Fire", was released posthumously in 1991 on a Polydor Records anthology. Another track, "Arrow Through the Heart", was the final song Andy would ever record and was featured on an episode of VH1's series, Behind the Music, and released on Bee Gees Mythology 4-disc box set in November 2010.
Read more about this topic: Andy Gibb
Famous quotes containing the words career and/or decline:
“It is a great many years since at the outset of my career I had to think seriously what life had to offer that was worth having. I came to the conclusion that the chief good for me was freedom to learn, think, and say what I pleased, when I pleased. I have acted on that conviction... and though strongly, and perhaps wisely, warned that I should probably come to grief, I am entirely satisfied with the results of the line of action I have adopted.”
—Thomas Henry Huxley (182595)
“We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fallwhich latter, it would seem, is now near, among all people.”
—Thomas Carlyle (17951881)