Analysis
A major figure of world and European cinema after World War II, Wajda made his reputation as a sensitive and uncompromising chronicler of his country's political and social evolution. Once dubbed a symbol for a besieged country, Wajda is known for drawing from Poland's history to suit his tragic sensibility—crafting an oeuvre of work that devastates even as it informs.
Andrzej Wajda's films have a strong visual side, he sometimes made his own versions of Polish and European paintings and he also thinks by the images. He tries to give the right mood and atmosphere of times in which he sets the action and he refers to the paintings of that time as well. He has worked with Polish cinematographers such as Jerzy Lipman, Jerzy Wójcik, Witold Sobociński, Edward Kłosiński, Zygmunt Samosiuk, Sławomir Idziak or Paweł Edelman, he also cooperated with Igor Luther or Robby Muller.
Read more about this topic: Andrzej Wajda
Famous quotes containing the word analysis:
“The spider-mind acquires a faculty of memory, and, with it, a singular skill of analysis and synthesis, taking apart and putting together in different relations the meshes of its trap. Man had in the beginning no power of analysis or synthesis approaching that of the spider, or even of the honey-bee; but he had acute sensibility to the higher forces.”
—Henry Brooks Adams (1838–1918)
“Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.”
—Thomas Mann (1875–1955)