Portrayals of The Myth
Sophocles and Euripides (and in more modern times, Corneille) made the story the subject of tragedies, and its incidents were represented in numerous ancient works of art. Jean-Baptiste Lully's opera, Persée, also dramatizes the myth.
Andromeda has been the subject of numerous ancient and modern works of art, including, Andromeda Chained to the Rocks (Rembrandt), one of Titian's poesies (Wallace Collection), and compositions by Joachim Wtewael (Louvre), Veronese (Rennes), Rubens, Ingres, and Gustave Moreau. From the Renaissance onward the chained nude figure of Andromeda typically was the centre of interest, and often she was shown alone, fearfully awaiting the monster.
In 1973, a short animated film called Perseus was made in the Soviet Union.
The 1981 film Clash of the Titans retells the story of Perseus, Andromeda, and Cassiopeia, but makes a few changes (notably Cassiopeia boasts that her daughter is more beautiful than Thetis as opposed to the Nereids as a group). Thetis was a Nereid, but also the future mother of Achilles. Andromeda and Perseus meet and fall in love after he saves her soul from the enslavement of Thetis' hideous son, Calibos, whereas in the myth, they simply meet as Perseus returns home from having slain Medusa. In the film, the monster is called a Kraken, although it is depicted as a lizard-like creature rather than a squid; and combining two elements of the myth, Perseus defeats the sea monster by showing it Medusa's face, turning the monster into stone. Andromeda is depicted as being strong-willed and independent, whereas in the stories she is only really mentioned as being the princess whom Perseus saves from the sea monster. Andromeda was portrayed by Judi Bowker in this film.
Andromeda also features in the 2010 film Clash of the Titans, a remake of the 1981 version. Several changes were made in regard to the myth, most notably that Perseus did not marry Andromeda after he rescued her from the sea monster. Andromeda was portrayed by Alexa Davalos. The character was played by Rosamund Pike in the sequel Wrath of the Titans, the second of a planned trilogy. In the end of the sequel, Perseus and Andromeda begin a relationship.
In the Japanese anime Saint Seiya the character, Shun, represents the Andromeda constellation using chains as his main weapons, reminiscent of Andromeda being chained before she was saved by Perseus. In order to attain the Andromeda Cloth, he was chained between two large pillars of rock and he had to overcome the chains before the tide came in and killed him, also reminiscent of this myth.
Andromeda appears in Disney's Hercules: The Animated Series as a new student of "Prometheus Academy" which Hercules and other characters from Greek mythology attend.
In The Sea of Monsters the second book in the Percy Jackson and the Olympians series, a cruise ship which serves as living space for Kronos' army called The Princess Andromeda is named after her.
Read more about this topic: Andromeda (mythology)
Famous quotes containing the words portrayals of, portrayals and/or myth:
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“We attempt to remember our collective American childhood, the way it was, but what we often remember is a combination of real past, pieces reshaped by bitterness and love, and, of course, the video past—the portrayals of family life on such television programs as “Leave it to Beaver” and “Father Knows Best” and all the rest.”
—Richard Louv (20th century)
“... if, as women, we accept a philosophy of history that asserts that women are by definition assimilated into the male universal, that we can understand our past through a male lens—if we are unaware that women even have a history—we live our lives similarly unanchored, drifting in response to a veering wind of myth and bias.”
—Adrienne Rich (b. 1929)