Andrew Marvell - Marvell's Poetic Style

Marvell's Poetic Style

T. S. Eliot wrote of Marvell's style that 'It is more than a technical accomplishment, or the vocabulary and syntax of an epoch; it is, what we have designated tentatively as wit, a tough reasonableness beneath the slight lyric grace'. He also identified Marvell and the metaphysical school with the 'dissociation of sensibility' that occurred in 17th-century English literature; Eliot described this trend as 'something which... happened to the mind of England... it is the difference between the intellectual poet and the reflective poet'. Poets increasingly developed a self-conscious relationship to tradition, which took the form of a new emphasis on craftsmanship of expression and an idiosyncratic freedom in allusions to Classical and Biblical sources.

Marvell's most famous lyric, "To His Coy Mistress", combines an old poetic conceit (the persuasion of the speaker's lover by means of a carpe diem philosophy) with Marvell's typically vibrant imagery and easy command of rhyming couplets. Other works incorporate topical satire and religious themes.

Read more about this topic:  Andrew Marvell

Famous quotes containing the words marvell, poetic and/or style:

    Self-preservation, nature’s first great law,
    All the creatures, except man, doth awe.
    —Andrew Marvell (1621–1678)

    Never is a historic deed already completed when it is done but always only when it is handed down to posterity. What we call “history” by no means represents the sum total of all significant deeds.... World history ... only comprises that tiny lighted sector which chanced to be placed in the spotlight by poetic or scholarly depictions.
    Stefan Zweig (18811942)

    A style does not go out of style as long as it adapts itself to its period. When there is an incompatibility between the style and a certain state of mind, it is never the style that triumphs.
    Coco Chanel (1883–1971)