Career
Voznesensky's style was considered different from his contemporaries in the Soviet Union.
His first poems were published in 1958, and these immediately reflected his unique style. His lyrics are characterized by his tendency "to measure" the contemporary person by modern categories and images, by the eccentricity of metaphors, by the complex rhythmical system and sound effects. Vladimir Mayakovsky and Pablo Neruda have been cited among the poets who influenced him most.
The Goya-inspired "I Am Goya" was an early Voznesensky effort, and went on to achieve considerable recognition for its impressions of the fear and horror attached to war, as demonstrated by its Russian metaphors and recurring "g" sounds. Another early poem, "Fire in the Architecture Institute", was inspired by a 1957 night fire at the Institute of Architecture in Moscow. Voznesensky later said: "I believe in symbols. I understood that architecture was burned out in me. I became a poet".
Voznesensky was one of several young Russian intellectuals whom Nikita Khrushchev invited to a reception hosted by the ruling Communist Party in December 1962. Khrushchev scathingly remarked on Voznesensky at the ceremony: "Just look at this new Pasternak! You want to get a passport tomorrow? You want it? And then go away, go to the dogs! Go, go there". In 1963, his fame blossomed and he became "as popular as The Beatles" after Khruschev publicly and falsely branded him a pervert.
In the 1960s, during the so-called Thaw, Voznesensky frequently travelled abroad: to France, Germany, Italy, the United States and other countries. The popularity of Voznesensky, Yevgeny Yevtushenko and Bella Akhmadulina was marked by their performances in front of the adoring crowds numbering in the thousands at stadiums, in concert halls and universities. In doing so, he served as "a sort of unofficial Kremlin cultural envoy", according to The New York Times. His poetry reading skills were profound. He competed with Laurence Olivier and Paul Scofield at one show in London. He criticised the 1968 invasion of Czechoslovakia. While in the United States, he met Allen Ginsberg, Arthur Miller, and Marilyn Monroe.
Voznesensky's friendship with many contemporary writers, artists and other intellectuals is reflected in his poetry and essays. He is known to wider audiences for the superhit Million of Scarlet Roses that he penned for Alla Pugacheva in 1984 and for the hugely successful rock opera Juno and Avos (1979), based on the life and death of Nikolay Rezanov.
His creations have been turned into works of theatre. One collection of his poems, "Antimiry" ("Anti-worlds") served as the basis for a famous performance at the Taganka Theater in 1965. "Save your Faces" was performed at the same venue. "Juno and Avos" was performed at the Lenin's Komsomol Theater (now Lenkom). Others on foreign territory.
Read more about this topic: Andrei Voznesensky
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“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)