Instruments
The panpipes group include the sikú (or zampoña) and antara. These are ancient indigenous instruments that vary in size, tuning and style. Instruments in this group are constructed from aquatic reeds found in many lakes in the Andean Region of South America. The sikú has two rows of canes and are tuned in either pentatonic or diatonic scales. Some modern single-rowed panpipes modeled after the native Antara are capable of playing full scales, while traditional Sikús are played using two rows of canes wrapped together. It is still commonplace for two performers to share a melody while playing the larger style of sikú called the toyo. This style of voicing interspersed notes between two musicians is called playing in hocket and is still in use today in many of the huaynos traditional songs and contemporary Andean music.
Quenas (notched-end flutes) remain popular and are traditionally made out of the same aquatic canes as the Sikús, although PVC pipe is sometimes used due to its resistance to heat, cold and humidity. Generally, quenas only are played during the dry season, with vertical flutes, either pinkillos or tarkas, being played during the wet season. Tarkas are constructed from local Andean hard wood sources. Marching bands dominated by drums and panpipes are commonplace today and are used to celebrate weddings, carnivals and other holidays.
Read more about this topic: Andean Music
Famous quotes containing the word instruments:
“Water, earth, air, fire, and the other parts of this structure of mine are no more instruments of your life than instruments of your death. Why do you fear your last day? It contributes no more to your death than each of the others. The last step does not cause the fatigue, but reveals it. All days travel toward death, the last one reaches it.”
—Michel de Montaigne (1533–1592)
“The form of act or thought mattered nothing. The hymns of David, the plays of Shakespeare, the metaphysics of Descartes, the crimes of Borgia, the virtues of Antonine, the atheism of yesterday and the materialism of to-day, were all emanation of divine thought, doing their appointed work. It was the duty of the church to deal with them all, not as though they existed through a power hostile to the deity, but as instruments of the deity to work out his unrevealed ends.”
—Henry Brooks Adams (1838–1918)
“We are all instruments endowed with feeling and memory. Our senses are so many strings that are struck by surrounding objects and that also frequently strike themselves.”
—Denis Diderot (1713–84)