Music and Lyrics
The album's dark lyrical material features a conceptual uniformity around notions of political and legal injustice, as seen through the prism of war, censored speech, and nuclear brinkmanship. This is musically accompanied by what may be the most complex song structures in Metallica's discography. The arrangements are particularly complicated for a thrash metal album, being likened to progressive metal in their complexity. The album is also noted for its nearly-inaudible bass guitar (Newsted was quoted as saying "The Justice album wasn't something that really felt good for me, because you really can't hear the bass") and dry, sterile production, and therefore has been called a "slightly flawed masterpiece and the pinnacle of Metallica's progressive years" by Allmusic.com. Lars Ulrich described the songwriting process as "our CNN years", with him and James Hetfield watching the channel in search for song subjects - "I'd read about the blacklisting thing, we'd get a title, 'The Shortest Straw,' and a song would come out of that."
Cliff Burton receives co-writers credit on "To Live Is to Die" as the bass line was a medley of unused bass recordings Burton had performed prior to his death. While the original recordings are not used on the track, the compositions are credited as written by Burton and are played by Metallica's bassist at the time, Jason Newsted. The words spoken towards the end of the song ("when a man lies, he murders some part of the world. These are the pale deaths which men miscall their lives...") by Hetfield were written by German poet Paul Gerhardt, but are misattributed to Burton in the liner notes. Still, the second half of the speech ("All this I cannot bear to witness any longer. Cannot the kingdom of salvation take me home?") were written by Burton.
Read more about this topic: ...And Justice For All (album)
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