Background
The title of the track came from an experience the Johns had when they found a huge number of Ng listings in the New York City phone book.
Linnell: "I think I was collecting possible song ideas and, for some reason, I ended up looking in the phone book, and there were about four pages of this name that contains no vowels, Ng. I was fascinated because it's a name I didn't know about before, and it was filling up a large chunk of the Manhattan white pages. I called up some of the numbers kind of experimentally to find out how it was pronounced, and I got the phone machine of a Dr. Ng and I was kind of relieved. The message said, "Dr. Ng is not in," and I had my material." (Pitchfork Magazine, 1996)
Ng is a common Cantonese family name, and in Cantonese it is pronounced, like the last sound in the English word hang. However, according to a 1988 handbill advertisement for the single, They Might Be Giants actually rhyme the name with hang, /ˈæŋ/.
Linnell: "The other inspiration for was a Pogo comic strip. Some of the characters are digging a hole. They decide they're going to dig to China, but one of the smarter characters pulls this huge revolver out of a drawer and shoots a hole "in the desktop globe." Then they look at the other side and the hole is in the Indian Ocean. (Pitchfork Magazine, 1996).
The song, or at least part of it, is set against the backdrop of the 1964 New York World's Fair, which John Linnell attended as a child. It includes references to "It's a Small World" and the DuPont pavilion, both attractions at the fair.
The line, "I don't want the world / I just want your half," is said by Lisa Klapp, a friend of John and John's, and recorded through a telephone.
Read more about this topic: Ana Ng
Famous quotes containing the word background:
“In the true sense one’s native land, with its background of tradition, early impressions, reminiscences and other things dear to one, is not enough to make sensitive human beings feel at home.”
—Emma Goldman (1869–1940)
“Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment; that background which the painter may not daub, be he master or bungler, and which, however awkward a figure we may have made in the foreground, remains ever our inviolable asylum, where no indignity can assail, no personality can disturb us.”
—Henry David Thoreau (1817–1862)
“... every experience in life enriches one’s background and should teach valuable lessons.”
—Mary Barnett Gilson (1877–?)