Film
In 1930, RKO Radio Pictures brought Gosden and Correll to Hollywood to do an Amos 'n' Andy feature film, Check and Double Check (a catchphrase from the radio show). The cast included a mix of white and black performers (the latter including Duke Ellington and his orchestra) with Gosden and Correll playing Amos 'n' Andy in blackface. The film pleased neither critics nor Gosden and Correll themselves, but briefly became RKO's biggest box-office hit prior to King Kong before falling off rapidly. Audiences were curious to see what their radio favorites looked like and were expecting to see African-Americans instead of white men in blackface. RKO ruled out any plans for a sequel. Gosden and Correll did lend their voices to a pair of Amos 'n' Andy cartoon shorts in 1934: The Rasslin' Match and The Lion Tamer. These were also not successful. Years later, Gosden was quoted as calling Check and Double Check "just about the worst movie ever." Gosden and Correll also posed for publicity pictures in blackface. They were also part of The Big Broadcast of 1936 as Amos 'n' Andy.
Read more about this topic: Amos 'n' Andy
Famous quotes containing the word film:
“All the old supports going, gone, this man reaches out a hand to steady himself on a ledge of rough brick that is warm in the sun: his hand feeds him messages of solidity, but his mind messages of destruction, for this breathing substance, made of earth, will be a dance of atoms, he knows it, his intelligence tells him so: there will soon be war, he is in the middle of war, where he stands will be a waste, mounds of rubble, and this solid earthy substance will be a film of dust on ruins.”
—Doris Lessing (b. 1919)
“Film is more than the twentieth-century art. It’s another part of the twentieth-century mind. It’s the world seen from inside. We’ve come to a certain point in the history of film. If a thing can be filmed, the film is implied in the thing itself. This is where we are. The twentieth century is on film.... You have to ask yourself if there’s anything about us more important than the fact that we’re constantly on film, constantly watching ourselves.”
—Don Delillo (b. 1926)