Work
At Rome, he wrote in Latin a history of the Roman empire from the accession of Nerva (96) to the death of Valens at the Battle of Adrianople (378), in effect writing a continuation of the history of Tacitus. He presumably completed the work before 391, since at 22.16.12 he praises the Serapeum in Egypt as the glory of the empire, and the temple was destroyed by Christians at the end of that year. Res Gestae (Rerum gestarum Libri XXXI) was originally in thirty-one books, but the first thirteen are lost (modern historian T.D. Barnes argues that the original was actually thirty-six books, which would mean that eighteen books had been lost). The surviving eighteen books cover the period from 353 to 378. As a whole it has been considered extremely valuable, being a clear, comprehensive and in general impartial account of events by a contemporary. Like many ancient historians, Ammianus had a strong political and religious agenda to pursue, however, and he contrasted Constantius II with Julian to the former's constant disadvantage; like all ancient writers he was skilled in rhetoric, and this shows in his work.
Read more about this topic: Ammianus Marcellinus
Famous quotes containing the word work:
“We know that a man can read Goethe or Rilke in the evening, that he can play Bach and Schubert, and go to his day’s work at Auschwitz in the morning.”
—George Steiner (b. 1929)
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“The work was like peeling an onion. The outer skin came off with difficulty ... but in no time you’d be down to its innards, tears streaming from your eyes as more and more beautiful reductions became possible.”
—Edward Blishen (b. 1920)