Work
At Rome, he wrote in Latin a history of the Roman empire from the accession of Nerva (96) to the death of Valens at the Battle of Adrianople (378), in effect writing a continuation of the history of Tacitus. He presumably completed the work before 391, since at 22.16.12 he praises the Serapeum in Egypt as the glory of the empire, and the temple was destroyed by Christians at the end of that year. Res Gestae (Rerum gestarum Libri XXXI) was originally in thirty-one books, but the first thirteen are lost (modern historian T.D. Barnes argues that the original was actually thirty-six books, which would mean that eighteen books had been lost). The surviving eighteen books cover the period from 353 to 378. As a whole it has been considered extremely valuable, being a clear, comprehensive and in general impartial account of events by a contemporary. Like many ancient historians, Ammianus had a strong political and religious agenda to pursue, however, and he contrasted Constantius II with Julian to the former's constant disadvantage; like all ancient writers he was skilled in rhetoric, and this shows in his work.
Read more about this topic: Ammianus Marcellinus
Famous quotes containing the word work:
“If therefore my work is negative, irreligious, atheistic, let it be remembered that atheism—at least in the sense of this work—is the secret of religion itself; that religion itself, not indeed on the surface, but fundamentally, not in intention or according to its own supposition, but in its heart, in its essence, believes in nothing else than the truth and divinity of human nature.”
—Ludwig Feuerbach (1804–1872)
“A good short story is a work of art which daunts us in proportion to its brevity.... No inspiration is too noble for it; no amount of hard work is too severe for it.”
—Elizabeth Stuart Phelps (1844–1911)
“It is not merely the likeness which is precious ... but the association and the sense of nearness involved in the thing ... the fact of the very shadow of the person lying there fixed forever! It is the very sanctification of portraits I think—and it is not at all monstrous in me to say ... that I would rather have such a memorial of one I dearly loved, than the noblest Artist’s work ever produced.”
—Elizabeth Barrett Browning (1806–1861)