In Culture
The American Robin is the state bird of Connecticut, Michigan and Wisconsin. It was also depicted on the 1986 Birds of Canada series Canadian $2 note, but this note has since been withdrawn.
Robin's egg blue is a color named after the bird's eggs.
The American Robin has a place in Native American mythology. The story of how the robin got its red breast by fanning the dying flames of a campfire to save a Native American man and a boy is similar to those that surround the European Robin. The Tlingit people of Northwestern North America held it to be a culture-hero created by Raven to please the people with its song. One of the Houses of the Raven Tribe from the Nisga'a Nation holds the Robin as a House Crest.
The Peace Bridge robins were a family of American robins that attracted minor publicity in the mid-1930s for their prominent nest on the Canadian side of the Peace Bridge connecting Buffalo, New York to Fort Erie, Ontario.
The Robin is considered a symbol of spring. A well-known example is a poem by Emily Dickinson, "I Dreaded That First Robin So". Among other 19th-century poems about the first robin of spring is "The First Robin" by Dr. William H. Drummond, which according to the author's wife is based on a Quebec superstition that whoever sees the first robin of spring will have good luck.
American popular songs featuring this bird include "When the Red, Red Robin (Comes Bob, Bob, Bobbin' Along)", written by Harry M. Woods and a hit for Al Jolson and others, and "Rockin' Robin", written by Roger Thomas and a hit for Bobby Day and others.
Although the comic-book superhero Robin was inspired by an N. C. Wyeth illustration of Robin Hood, a later version had his mother nicknaming him Robin because he was born on the first day of spring. His red shirt suggests the bird's red breast.
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Famous quotes containing the word culture:
“Children became an obsessive theme in Victorian culture at the same time that they were being exploited as never before. As the horrors of life multiplied for some children, the image of childhood was increasingly exalted. Children became the last symbols of purity in a world which was seen as increasingly ugly.”
—C. John Sommerville (20th century)
“We do not need to minimize the poverty of the ghetto or the suffering inflicted by whites on blacks in order to see that the increasingly dangerous and unpredictable conditions of middle- class life have given rise to similar strategies for survival. Indeed the attraction of black culture for disaffected whites suggests that black culture now speaks to a general condition.”
—Christopher Lasch (b. 1932)