Postcolonial Poetry
The first significant poet of the independent United States was William Cullen Bryant (1794–1878), whose great contribution was to write rhapsodic poems on the grandeur of prairies and forests. Other notable poets to emerge in the early and middle 19th century include Ralph Waldo Emerson, (1803–1882), Henry Wadsworth Longfellow (1807–1882), John Greenleaf Whittier (1807–1892), Edgar Allan Poe (1809–1849), Oliver Wendell Holmes (1809–1894), Henry David Thoreau (1817–1862), James Russell Lowell (1819–1891), and Sidney Lanier (1842–1881). As might be expected, the works of these writers are united by a common search for a distinctive American voice to distinguish them from their British counterparts. To this end, they explored the landscape and traditions of their native country as materials for their poetry.
The most significant example of this tendency may be The Song of Hiawatha by Longfellow. This poem uses Native American tales collected by Henry Rowe Schoolcraft, who was superintendent of Indian affairs for Michigan from 1836 to 1841. Longfellow also imitated the meter of the Finnish epic poem Kalevala, possibly to avoid British models. The resulting poem, while a popular success, did not provide a model for future U.S. poets.
Another factor that distinguished these poets from their British contemporaries was the influence of the transcendentalism of the poet/philosophers Emerson and Thoreau. Transcendentalism was the distinctly American strain of English Romanticism that began with William Wordsworth and Samuel Taylor Coleridge. Emerson, arguably one of the founders of transcendentalism, had visited England as a young man to meet these two English poets, as well as Thomas Carlyle. While Romanticism transitioned into Victorianism in post-reform England, it grew more energetic in America from the 1830s through to the Civil War.
Edgar Allan Poe was probably the most recognized American poet outside of America during this period. Diverse authors in France, Sweden and Russia were heavily influenced by his works, and his poem "The Raven" swept across Europe, translated into many languages. In the twentieth century the American poet William Carlos Williams said of Poe that he is the only solid ground on which American poetry is anchored.
Read more about this topic: American Poetry
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“The authors conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.”
—Ezra Pound (18851972)