Color
Each Paint Horse has a particular combination of white and another color of the equine spectrum. Most common are horses with white spots combined with black, bay, brown, and chestnut or sorrel. Less common are horses with spot colors influenced by dilution genes such as palomino, buckskin, cremello, perlino, pearl or "Barlink factor", and champagne, various shades of roan, or various shades of dun, including grullo. Paints may also carry the gray gene and have spots that eventually fade to white hair, though retaining pigmented skin underneath the areas that were once dark.
Spots can be any shape or size, except leopard complex patterning, which is characteristic of the Appaloosa, and located virtually anywhere on the Paint's body. Although Paints come in a variety of colors with different markings and different underlying genetics, these are grouped into only four defined coat patterns: overo (includes frame, splash and sabino), tobiano and tovero and solid.
Breeding Stock Paints can sometimes showcase small color traits, particularly if they carry sabino genetics. Such traits include blue eyes, pink skin on lips and nostrils, roan spots, and minimal roaning.
Read more about this topic: American Paint Horse
Famous quotes containing the word color:
“Gradually I regained my usual composure. I reread Pale Fire more carefully. I liked it better when expecting less. And what was that? What was that dim distant music, those vestiges of color in the air? Here and there I discovered in it and especially, especially in the invaluable variants, echoes and spangles of my mind, a long ripplewake of my glory.”
—Vladimir Nabokov (1899–1977)
“When a bachelor of philosophy from the Antilles refuses to apply for certification as a teacher on the grounds of his color I say that philosophy has never saved anyone. When someone else strives and strains to prove to me that black men are as intelligent as white men I say that intelligence has never saved anyone: and that is true, for, if philosophy and intelligence are invoked to proclaim the equality of men, they have also been employed to justify the extermination of men.”
—Frantz Fanon (1925–1961)
“Painting seems to be to the eye what dancing is to the limbs. When that has educated the frame to self-possession, to nimbleness, to grace, the steps of the dancing-master are better forgotten; so painting teaches me the splendor of color and the expression of form, and as I see many pictures and higher genius in the art, I see the boundless opulence of the pencil, the indifferency in which the artist stands free to choose out of the possible forms.”
—Ralph Waldo Emerson (1803–1882)