Common March Composers in The United States
Most march composers come from the United States or Europe, and have some type of musical background. The most popular march composers existed in the late 19th and early 20th centuries, mainly because modern march dedicators are hard to come by. The following is a list of march music composers whose marches are frequently performed in the United States.
- Russell Alexander (1877–1915)
- Kenneth Alford (1881–1945) "The British March King"
- Edwin Eugene Bagley (1857–1922)
- Hermann Louis Blankenburg (1876–1956)
- W. Paris Chambers (1854–1913)
- Charles E. Duble (1884–1960)
- Henry Fillmore (1881–1956) "The Trombone King"
- Julius Fucik (1872–1916) "The Czech March King"
- James M. Fulton (1873–1940) "Associated Press," "Waterbury American"
- Edwin Franko Goldman (1878–1956) "The American Bandmaster"
- Robert B. Hall (1858–1907) "The New England March King"
- George Dallas Sherman (1844–1927) Composer of "Salute to Burlington"
- John Clifford Heed (1864–1908)
- Arthur W. Hughes (ca.1870-ca.1950)
- Fred Jewell (1875–1936) "The Indiana March King"
- Karl L. King (1891–1971) "Iowa's Own Music Man," "The Circus Music King"
- John N. Klohr (1869–1956)
- Alex F. Lithgow (1870–1923) "Invercargill"
- Frank H. Losey (1872–1931) "The Pennsylvania March King"
- J. J. Richards (1878–1956) "The Long Beach March King"
- William Rimmer (1862–1936)
- Roland F. Seitz (1867–1946) "The Parade Music Prince"
- John Philip Sousa (1854–1932) "The March King"
- Carl Albert Hermann Teike (1864–1922)
Read more about this topic: American March Music
Famous quotes containing the words united states, common, march, composers, united and/or states:
“The recognition of Russia on November 16, 1933, started forces which were to have considerable influence in the attempt to collectivize the United States.”
—Herbert Hoover (18741964)
“There is something antique, even, in his style of treating his subject, reminding us that Heroes and Demi-gods, Fates and Furies, still exist; the common man is nothing to him, but after death the hero is apotheosized and has a place in heaven, as in the religion of the Greeks.”
—Henry David Thoreau (18171862)
“On a late-winter evening in 1983, while driving through fog along the Maine coast, recollections of old campfires began to drift into the March mist, and I thought of the Abnaki Indians of the Algonquin tribe who dwelt near Bangor a thousand years ago.”
—Norman Mailer (b. 1923)
“More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.”
—Eric Hoffer (19021983)
“The rising power of the United States in world affairs ... requires, not a more compliant press, but a relentless barrage of facts and criticism.... Our job in this age, as I see it, is not to serve as cheerleaders for our side in the present world struggle but to help the largest possible number of people to see the realities of the changing and convulsive world in which American policy must operate.”
—James Reston (b. 1909)
“The traveler to the United States will do well ... to prepare himself for the class-consciousness of the natives. This differs from the already familiar English version in being more extreme and based more firmly on the conviction that the class to which the speaker belongs is inherently superior to all others.”
—John Kenneth Galbraith (b. 1908)