Common March Composers in The United States
Most march composers come from the United States or Europe, and have some type of musical background. The most popular march composers existed in the late 19th and early 20th centuries, mainly because modern march dedicators are hard to come by. The following is a list of march music composers whose marches are frequently performed in the United States.
- Russell Alexander (1877–1915)
- Kenneth Alford (1881–1945) "The British March King"
- Edwin Eugene Bagley (1857–1922)
- Hermann Louis Blankenburg (1876–1956)
- W. Paris Chambers (1854–1913)
- Charles E. Duble (1884–1960)
- Henry Fillmore (1881–1956) "The Trombone King"
- Julius Fucik (1872–1916) "The Czech March King"
- James M. Fulton (1873–1940) "Associated Press," "Waterbury American"
- Edwin Franko Goldman (1878–1956) "The American Bandmaster"
- Robert B. Hall (1858–1907) "The New England March King"
- George Dallas Sherman (1844–1927) Composer of "Salute to Burlington"
- John Clifford Heed (1864–1908)
- Arthur W. Hughes (ca.1870-ca.1950)
- Fred Jewell (1875–1936) "The Indiana March King"
- Karl L. King (1891–1971) "Iowa's Own Music Man," "The Circus Music King"
- John N. Klohr (1869–1956)
- Alex F. Lithgow (1870–1923) "Invercargill"
- Frank H. Losey (1872–1931) "The Pennsylvania March King"
- J. J. Richards (1878–1956) "The Long Beach March King"
- William Rimmer (1862–1936)
- Roland F. Seitz (1867–1946) "The Parade Music Prince"
- John Philip Sousa (1854–1932) "The March King"
- Carl Albert Hermann Teike (1864–1922)
Read more about this topic: American March Music
Famous quotes containing the words united states, common, march, composers, united and/or states:
“The rising power of the United States in world affairs ... requires, not a more compliant press, but a relentless barrage of facts and criticism.... Our job in this age, as I see it, is not to serve as cheerleaders for our side in the present world struggle but to help the largest possible number of people to see the realities of the changing and convulsive world in which American policy must operate.”
—James Reston (b. 1909)
“There comes Poe, with his raven, like Barnaby Rudge,
Three-fifths of him genius, and two-fifths sheer fudge.
Who talks like a book of iambs and pentameters,
In a way to make people of common sense damn metres,
Who has written some things quite the best of their kind,
But the heart somehow seems all squeezed out by the mind.”
—James Russell Lowell (1819–1891)
“As high as mind stands above nature, so high does the state stand above physical life. Man must therefore venerate the state as a secular deity.... The march of God in the world, that is what the State is.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.”
—Eric Hoffer (1902–1983)
“When Mr. Apollinax visited the United States
His laughter tinkled among the teacups.
I thought of Fragilion, that shy figure among the birch-trees,
And of Priapus in the shrubbery
Gaping at the lady in the swing.”
—T.S. (Thomas Stearns)
“An ... important antidote to American democracy is American gerontocracy. The positions of eminence and authority in Congress are allotted in accordance with length of service, regardless of quality. Superficial observers have long criticized the United States for making a fetish of youth. This is unfair. Uniquely among modern organs of public and private administration, its national legislature rewards senility.”
—John Kenneth Galbraith (b. 1908)