Common March Composers in The United States
Most march composers come from the United States or Europe, and have some type of musical background. The most popular march composers existed in the late 19th and early 20th centuries, mainly because modern march dedicators are hard to come by. The following is a list of march music composers whose marches are frequently performed in the United States.
- Russell Alexander (1877–1915)
- Kenneth Alford (1881–1945) "The British March King"
- Edwin Eugene Bagley (1857–1922)
- Hermann Louis Blankenburg (1876–1956)
- W. Paris Chambers (1854–1913)
- Charles E. Duble (1884–1960)
- Henry Fillmore (1881–1956) "The Trombone King"
- Julius Fucik (1872–1916) "The Czech March King"
- James M. Fulton (1873–1940) "Associated Press," "Waterbury American"
- Edwin Franko Goldman (1878–1956) "The American Bandmaster"
- Robert B. Hall (1858–1907) "The New England March King"
- George Dallas Sherman (1844–1927) Composer of "Salute to Burlington"
- John Clifford Heed (1864–1908)
- Arthur W. Hughes (ca.1870-ca.1950)
- Fred Jewell (1875–1936) "The Indiana March King"
- Karl L. King (1891–1971) "Iowa's Own Music Man," "The Circus Music King"
- John N. Klohr (1869–1956)
- Alex F. Lithgow (1870–1923) "Invercargill"
- Frank H. Losey (1872–1931) "The Pennsylvania March King"
- J. J. Richards (1878–1956) "The Long Beach March King"
- William Rimmer (1862–1936)
- Roland F. Seitz (1867–1946) "The Parade Music Prince"
- John Philip Sousa (1854–1932) "The March King"
- Carl Albert Hermann Teike (1864–1922)
Read more about this topic: American March Music
Famous quotes containing the words united states, common, march, composers, united and/or states:
“In a moment when criticism shows a singular dearth of direction every man has to be a law unto himself in matters of theatre, writing, and painting. While the American Mercury and the new Ford continue to spread a thin varnish of Ritz over the whole United States there is a certain virtue in being unfashionable.”
—John Dos Passos (1896–1970)
“The barriers of conventionality have been raised so high, and so strangely cemented by long existence, that the only hope of overthrowing them exists in the union of numbers linked together by common opinion and effort ... the united watchword of thousands would strike at the foundation of the false system and annihilate it.”
—Mme. Ellen Louise Demorest 1824–1898, U.S. women’s magazine editor and woman’s club movement pioneer. Demorest’s Illustrated Monthly and Mirror of Fashions, p. 203 (January 1870)
“As high as mind stands above nature, so high does the state stand above physical life. Man must therefore venerate the state as a secular deity.... The march of God in the world, that is what the State is.”
—Georg Wilhelm Friedrich Hegel (1770–1831)
“More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.”
—Eric Hoffer (1902–1983)
“The boys dressed themselves, hid their accoutrements, and went off grieving that there were no outlaws any more, and wondering what modern civilization could claim to have done to compensate for their loss. They said they would rather be outlaws a year in Sherwood Forest than President of the United States forever.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Perhaps anxious politicians may prove that only seventeen white men and five negroes were concerned in the late enterprise; but their very anxiety to prove this might suggest to themselves that all is not told. Why do they still dodge the truth? They are so anxious because of a dim consciousness of the fact, which they do not distinctly face, that at least a million of the free inhabitants of the United States would have rejoiced if it had succeeded. They at most only criticise the tactics.”
—Henry David Thoreau (1817–1862)