Common March Composers in The United States
Most march composers come from the United States or Europe, and have some type of musical background. The most popular march composers existed in the late 19th and early 20th centuries, mainly because modern march dedicators are hard to come by. The following is a list of march music composers whose marches are frequently performed in the United States.
- Russell Alexander (1877–1915)
- Kenneth Alford (1881–1945) "The British March King"
- Edwin Eugene Bagley (1857–1922)
- Hermann Louis Blankenburg (1876–1956)
- W. Paris Chambers (1854–1913)
- Charles E. Duble (1884–1960)
- Henry Fillmore (1881–1956) "The Trombone King"
- Julius Fucik (1872–1916) "The Czech March King"
- James M. Fulton (1873–1940) "Associated Press," "Waterbury American"
- Edwin Franko Goldman (1878–1956) "The American Bandmaster"
- Robert B. Hall (1858–1907) "The New England March King"
- George Dallas Sherman (1844–1927) Composer of "Salute to Burlington"
- John Clifford Heed (1864–1908)
- Arthur W. Hughes (ca.1870-ca.1950)
- Fred Jewell (1875–1936) "The Indiana March King"
- Karl L. King (1891–1971) "Iowa's Own Music Man," "The Circus Music King"
- John N. Klohr (1869–1956)
- Alex F. Lithgow (1870–1923) "Invercargill"
- Frank H. Losey (1872–1931) "The Pennsylvania March King"
- J. J. Richards (1878–1956) "The Long Beach March King"
- William Rimmer (1862–1936)
- Roland F. Seitz (1867–1946) "The Parade Music Prince"
- John Philip Sousa (1854–1932) "The March King"
- Carl Albert Hermann Teike (1864–1922)
Read more about this topic: American March Music
Famous quotes containing the words united states, common, march, composers, united and/or states:
“The professional celebrity, male and female, is the crowning result of the star system of a society that makes a fetish of competition. In America, this system is carried to the point where a man who can knock a small white ball into a series of holes in the ground with more efficiency than anyone else thereby gains social access to the President of the United States.”
—C. Wright Mills (1916–1962)
“... exchanging platitudes, as Frenchmen do, for the pleasure of feeling their mouths full of the good meat of common sense.”
—Rebecca West (1892–1983)
“Knowledge, Virtue, Power are the victories of man over his necessities, his march to the dominion of the world.”
—Ralph Waldo Emerson (1803–1882)
“More significant than the fact that poets write abstrusely, painters paint abstractly, and composers compose unintelligible music is that people should admire what they cannot understand; indeed, admire that which has no meaning or principle.”
—Eric Hoffer (1902–1983)
“... it is probable that in a fit of generosity the men of the United States would have enfranchised its women en masse; and the government now staggering under the ballots of ignorant, irresponsible men, must have gone down under the additional burden of the votes which would have been thrown upon it, by millions of ignorant, irresponsible women.”
—Jane Grey Swisshelm (1815–1884)
“An ... important antidote to American democracy is American gerontocracy. The positions of eminence and authority in Congress are allotted in accordance with length of service, regardless of quality. Superficial observers have long criticized the United States for making a fetish of youth. This is unfair. Uniquely among modern organs of public and private administration, its national legislature rewards senility.”
—John Kenneth Galbraith (b. 1908)