Contemporary American Literature
Though its exact parameters remain debatable, from the early 1970s to the present day the most salient literary movement has been postmodernism. Thomas Pynchon, a seminal practitioner of the form, drew in his work on modernist fixtures such as temporal distortion, unreliable narrators, and internal monologue and coupled them with distinctly postmodern techniques such as metafiction, ideogrammatic characterization, unrealistic names (Oedipa Maas, Benny Profane, etc.), absurdist plot elements and hyperbolic humor, deliberate use of anachronisms and archaisms, a strong focus on postcolonial themes, and a subversive commingling of high and low culture. In 1973, he published Gravity's Rainbow, a leading work in this genre, which won the National Book Award and was unanimously nominated for the Pulitzer Prize for Fiction that year. His other major works include his debut, V. (1963), The Crying of Lot 49 (1966), Mason & Dixon (1997), and Against the Day (2006).
Toni Morrison, the most recent American recipient of the Nobel Prize for Literature, writing in a distinctive lyrical prose style, published her controversial debut novel, The Bluest Eye, to widespread critical acclaim in 1970. Coming on the heels of the signing of the Civil Rights Act of 1965, the novel, widely studied in American schools, includes an elaborate description of incestuous rape and explores the conventions of beauty established by a historically racist society, painting a portrait of a self-immolating black family in search of beauty in whiteness. Since then, Morrison has experimented with lyric fantasy, as in her two best-known later works, Song of Solomon (1977) and Beloved (1987), for which she was awarded the Pulitzer Prize for Fiction; along these lines, critic Harold Bloom has drawn favorable comparisons to Virginia Woolf, and the Nobel committee to "Faulkner and to the Latin American tradition ." Beloved was chosen in a 2006 survey conducted by the New York Times as the most important work of fiction of the last 25 years.
Writing in a lyrical, flowing style that eschews excessive use of the comma and semicolon, recalling William Faulkner and Ernest Hemingway in equal measure, Cormac McCarthy's body of work seizes on the literary traditions of several regions of the United States and spans multiple genres. He writes in the Southern Gothic aesthetic in his distinctly Faulknerian 1965 debut, The Orchard Keeper, and Suttree (1979); in the Epic Western tradition, with grotesquely drawn characters and symbolic narrative turns reminiscent of Melville, in Blood Meridian (1985), which Harold Bloom styled "the greatest single book since Faulkner’s As I Lay Dying," calling the character of Judge Holden "short of Moby Dick, the most monstrous apparition in all of American literature"; in a much more pastoral tone in his celebrated Border Trilogy (1992–98) of bildungsromans, including All the Pretty Horses (1992), winner of the National Book Award; and in the post-apocalyptic genre in the Pulitzer Prize-winning The Road (2007). His novels are noted for achieving both commercial and critical success, several of his works having been adapted to film.
Don DeLillo, who rose to literary prominence with the publication of his 1985 novel, White Noise, a work broaching the subjects of death and consumerism and doubling as a piece of comic social criticism, began his writing career in 1971 with Americana. He is listed by Harold Bloom as being among the preeminent contemporary American writers, in the company of such giants as Philip Roth, Cormac McCarthy, and Thomas Pynchon. His 1997 novel Underworld, a gargantuan work chronicling American life through and immediately after the Cold War and examining with equal depth subjects as various as baseball and nuclear weapons, is generally agreed upon to be his masterpiece and was the runner-up in a survey asking writers to identify the most important work of fiction of the last 25 years. Among his other important novels are Libra (1988), Mao II (1991) and Falling Man (2007).
Seizing on the distinctly postmodern techniques of digression, narrative fragmentation and elaborate symbolism, and strongly influenced by the works of Thomas Pynchon, David Foster Wallace began his writing career with The Broom of the System, published to moderate acclaim in 1987. His second and final novel, Infinite Jest (1997), a futuristic portrait of America and a playful critique of the media-saturated nature of American life, has been consistently ranked among the most important works of the 20th century. In addition to his novels, he also authored three acclaimed short story collections: Girl with Curious Hair (1989), Brief Interviews with Hideous Men (1999) and Oblivion (2004). Jonathan Franzen, Wallace's friend and contemporary, rose to prominence after the 2001 publication of his National Book Award-winning third novel, The Corrections. He began his writing career in 1988 with the well-received The Twenty-Seventh City, a novel centering on his native St. Louis, but did not gain national attention until the publication of his essay, "Perchance to Dream," in Harper's Magazine, discussing the cultural role of the writer in the new millennium through the prism of his own frustrations. The Corrections, a tragicomedy about the disintegrating Lambert family, has been called "the literary phenomenon of decade" and was ranked as one of the greatest novels of the past century. In 2010, he published Freedom to great critical acclaim.
Other notable writers of around the start of the 20th century include Michael Chabon, whose Pulitzer Prize-winning The Amazing Adventures of Kavalier & Clay (2000) tells the story of two friends, Joe Kavalier and Sam Clay, as they rise through the ranks of the comics industry in its heyday; Denis Johnson, whose 2007 novel Tree of Smoke about falsified intelligence during Vietnam both won the National Book Award and was a finalist for the Pulitzer Prize for Fiction and was called by critic Michiko Kakutani "one of the classic works of literature produced by "; and Louise Erdrich, whose 2008 novel The Plague of Doves, a distinctly Faulknerian, polyphonic examination of the tribal experience set against the backdrop of murder in the fictional town of Pluto, North Dakota, was nominated for the Pulitzer Prize. Cynthia Ozick, whose short story collections have received widespread critical acclaim, and Michael Cunningham, whose novels have been released to widespread acclaim, are two writers who have been given increased critical attention after the start of the 21st century. In 2012, The Pale King, a posthumous novel by David Foster Wallace, was published four years after the novelist's death, and was a finalist for the Pulitzer Prize and was given widespread acclaim.
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