American Federation Of Musicians
The American Federation of Musicians of the United States and Canada (AFM/AFofM) is a labor union of professional musicians in the United States and Canada. In deference to the differing laws and cultural attributes of each country, in the US it is referred to as the American Federation of Musicians (AFM) and in Canada as the Canadian Federation of Musicians/Fédéracion canadienne des musicienes (CFM/FCM).
The American Federation of Musicians was founded in 1896, at which time it took over from an older and looser organization of local musicians unions, the National League of Musicians.
Among the most famous actions by the AFM was a ban on all commercial recording by members in 1942–44, in order to pressure record companies to make a better arrangement for paying royalties to recording artists. This was sometimes called the Petrillo Ban, because James Petrillo was the newly–elected head of the union. Petrillo also organized a second recording ban in 1948 (from January 1 to December 14), in response to the Taft–Hartley Act.
AFM requires its member orchestras to exclude all spectators during rehearsals.
Read more about American Federation Of Musicians: Presidents
Famous quotes containing the words american, federation and/or musicians:
“We hear about constitutional rights, free speech and the free press. Every time I hear those words I say to myself, That man is a Red, that man is a Communist. You never heard a real American talk in that manner.”
—Frank Hague (18761956)
“Women realize that we are living in an ungoverned world. At heart we are all pacifists. We should love to talk it over with the war-makers, but they would not understand. Words are so inadequate, and we realize that the hatred must kill itself; so we give our men gladly, unselfishly, proudly, patriotically, since the world chooses to settle its disputes in the old barbarous way.”
—General Federation Of Womens Clubs (GFWC)
“How are we to know that a Dracula is a key-pounding pianist who lifts his hands up to his face, or that a bass fiddle is the doghouse, or that shmaltz musicians are four-button suit guys and long underwear boys?”
—In New York City, U.S. public relief program (1935-1943)