American Ballet Theatre - History

History

Mikhail Mordkin, a former dancer with the Bolshoi Ballet, defected to the West during the Russian Revolution and settled in the United States in 1924. He staged the country's first production of Swan Lake in 1924, then later formed the "Mordkin Ballet" in 1937 with students from his New York school, with Lucia Chase, his student, as one of his prima ballerinas. By 1939, former Hollywood agent, Richard Pleasant, came to New York to manage the company. By the summer of 1939, Pleasant and Chase developed big ideas to turn the company into a fully-fledged ballet company, and to base it on "a gallery of dance rather than the vision of a single choreographer" and a "living museum of dance" with Russian, American and British "wings", and units for black and Hispanic dances. The pair renamed the company "Ballet Theatre" and Mordkin later departed, finding himself solely in the background.

Chase began developing the company's repertoire of well-known full-length ballets, as well as original works, amidst financial issues, until in 1945 Oliver Smith joined Ballet Theatre and became co-director with Chase. In 1957 the company changed its name to "American Ballet Theatre" and continued to focus on ballet classics with continued financial issues until, during the 1960s and 1970s, financial conditions with the company were favorable due to private funding. During this period, American Ballet Theatre shifted its focus to recruiting ballet stars.

In 1977, the company began its spring season at the Metropolitan Opera House, its new official venue, then in 1980 Mikhail Baryshnikov became Artistic Director for American Ballet Theatre. Baryshnikov staged, restaged, and refurbished numerous classical ballets and, according to the company, strengthened their classical tradition. Baryshnikov was replaced by Jane Hermann and Oliver Smith in 1989, and the pair remained as Artistic Directors until in 1992 Kevin McKenzie was appointed. McKenzie satisfied the demands of the traditional ballet audience by prioritizing full-length narrative ballets as well as succeeding in keeping the company afloat during financially unstable times. He established an official associate school in 2004, the Jacqueline Kennedy Onassis School, and appointed Alexei Ratmansky as "Artist in Residence" in January 2009 after a long period of no in-house choreographer.