History
The AmericanAirlines Arena opened on December 31, 1999 and its construction cost was $213,000,000. Architectural design team members included George Heinlein, Cristian Petschen, Reinaldo Borges, and Lance Simon. The AmericanAirlines Arena was inaugurated with a concert by Gloria Estefan, two days later, on January 2, 2000. The Miami Heat played its first game in the new arena by defeating the Orlando Magic 111–103.
As part of its sponsorship arrangement, American Airlines had a giant aircraft painted on top of the arena's roof, with an American Airlines logo in the center. The design is visible from airplanes taking off and landing at Miami International Airport, where American has a hub. The arena also has luxury skyboxes called "Flagship Lounges," a trademark originally used for American's premium-class lounges at certain airports.
Local sportscasters often refer to the arena as the "triple-A". Some sports reporters on the local news stations such as WSVN have referred to the arena as "A3" (A cubed). The arena is known for its unusual scoreboard, designed by Artist Christopher Janney. Drawing on the underwater anemone forms, the scoreboard also changes colors depending on the atmosphere. For concerts in an arena configuration, end stage capacity is 12,202 for 180-degree shows, 15,402 for 270-degree shows, 18,309 for 360-degree shows. For center stage concerts the arena can seat 19,146.
The Miami Heat has not had to pay to use the $213 million-venue, which sits on $38 million of county land; the county has paid $64 million in operating subsidies. "It was never a good deal," says former Miami-Dade Commissioner Katy Sorenson, who opposed the new arena in 1996. "There are certain politicians who just get stars in their eyes and don't really think about what the real cost is going to be."
Read more about this topic: American Airlines Arena
Famous quotes containing the word history:
“Psychology keeps trying to vindicate human nature. History keeps undermining the effort.”
—Mason Cooley (b. 1927)
“The principle office of history I take to be this: to prevent virtuous actions from being forgotten, and that evil words and deeds should fear an infamous reputation with posterity.”
—Tacitus (c. 55117)
“Every generation rewrites the past. In easy times history is more or less of an ornamental art, but in times of danger we are driven to the written record by a pressing need to find answers to the riddles of today.... In times of change and danger when there is a quicksand of fear under mens reasoning, a sense of continuity with generations gone before can stretch like a lifeline across the scary present and get us past that idiot delusion of the exceptional Now that blocks good thinking.”
—John Dos Passos (18961970)