Career
Pays made her film debut in Oxford Blues (1984) and she played a French nun, Sister Nicole, in Off Limits (1988 film) with Willem Dafoe and Gregory Hines. She is known for her roles as Theora Jones in the film and television series Max Headroom and as Christina "Tina" McGee in The Flash. Pays also had a guest role as Phoebe Green in episode "Fire" (1993) of The X-Files, in the episode "Cindy Plumb" (2006) of Nip/Tuck and in the episode "Black and Tan: A Crime of Fashion" (2008) of Psych, opposite husband Corbin Bernsen.
Pays is an interior designer and hosts Fine Living's Breathing Room.
She made her debut in the dual role of Carla Martin and Christa Bruckner in the 1984 cable film The Cold Room, played Sarah in the 1985 miniseries A.D. (known as Anno Domini in some releases) and narrated the 1988 documentary Computer Dreams. She also appeared in the low-budget 1980s horror film The Kindred (not to be confused with the 1990s vampire TV series) and 1989's Leviathan.
In 1985 she played the part of Nikki South in the television film Minder on the Orient Express, alongside Dennis Waterman and George Cole.
Read more about this topic: Amanda Pays
Famous quotes containing the word career:
“From a hasty glance through the various tests I figure it out that I would be classified in Group B, indicating Low Average Ability, reserved usually for those just learning to speak the English Language and preparing for a career of holding a spike while another man hits it.”
—Robert Benchley (18891945)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a womans career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“A black boxers career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.”
—Ishmael Reed (b. 1938)