Career
Pays made her film debut in Oxford Blues (1984) and she played a French nun, Sister Nicole, in Off Limits (1988 film) with Willem Dafoe and Gregory Hines. She is known for her roles as Theora Jones in the film and television series Max Headroom and as Christina "Tina" McGee in The Flash. Pays also had a guest role as Phoebe Green in episode "Fire" (1993) of The X-Files, in the episode "Cindy Plumb" (2006) of Nip/Tuck and in the episode "Black and Tan: A Crime of Fashion" (2008) of Psych, opposite husband Corbin Bernsen.
Pays is an interior designer and hosts Fine Living's Breathing Room.
She made her debut in the dual role of Carla Martin and Christa Bruckner in the 1984 cable film The Cold Room, played Sarah in the 1985 miniseries A.D. (known as Anno Domini in some releases) and narrated the 1988 documentary Computer Dreams. She also appeared in the low-budget 1980s horror film The Kindred (not to be confused with the 1990s vampire TV series) and 1989's Leviathan.
In 1985 she played the part of Nikki South in the television film Minder on the Orient Express, alongside Dennis Waterman and George Cole.
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Famous quotes containing the word career:
“Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.”
—Oscar Wilde (1854–1900)
“John Brown’s career for the last six weeks of his life was meteor-like, flashing through the darkness in which we live. I know of nothing so miraculous in our history.”
—Henry David Thoreau (1817–1862)
““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)